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A Family Tradition … Portraits (A Family Photo Remix)
Bringing the past into the present and going forward into the future….
I am fortunate to have a large and loving family. The journey in which this series will take me can only be thought of as a joyous rite. Beautiful is the memory of all those who, as family, have shared this life experience with me. Growing up with each other, especially my cousins was quite an adventure. There were ups and downs, pranks and games. And we often spent Saturdays or Sundays together; going to the park, enjoying picnics, and coming together as a family every Thanksgiving. My cousin Miriam pictured here with her husband Donald and children is a special soul. She is loving, happy and generous. A nurse by trade. When my mother was dying of cancer, Miriam would come by virtually every morning and sit with her. Caring for my mother with empathy and a heart of gold, she demonstrated great compassion. It is without a doubt, that I owe a lot to my cousin Miriam. And it is without a doubt that I love her dearly.
Family is important. Often we are called to give support, love and guidance to our family members. We can only, with a smile in our hearts, reach down deep with a great sense of purpose and joy when called to do so.
Peace Love and Light to all the Families of the World….
An Entire Life And I May Not Know Myself
Sometimes the next chapter is the same as the one before and the one before that….
Leaving behind the shore of dreams, I often wake to a life lost at sea….
A life misunderstood.
I sometimes wonder if I really know myself at all. I try to grasp, as I look back across the sea, the meaning of what has gone before. What remains on the distant shore…
The beauty of my indecisiveness. The machinations of my decisions.
Haunt me.
Like the fear of being stranded on land as my dreams sail away. There they go I say. Another day and it all remains the same…
Not unlike the fleeing faces in the clouds above or the uneasy sinking in the waves below….
A Beautiful Time Gone, Is Like A Moment That Never Happened
Sometimes there is a beautiful journey just waiting to happen….
A journey has its moments. A beginning, a middle, and an end. Sometimes it is a physical journey, but most often it is one of internal longing and desire. A journey of memories. It is a beginning where we once believed in something, someone or someplace. Then perhaps a middle, when while living in the present moment, we believed time stood still, and there was no tomorrow. Or perhaps a tomorrow we could come to love. And then there is the end. An ending. A final moment. Magic and lost, beauty and longing for what was. The memory of beautiful times gone, like the fleeing of dreams in the waking of a new day.
I often see things through the spectrum of my experiences, while questioning the meaning of it all. But desiring to have no grounded answer to mislead me.
Sometimes in our awareness the journey has long since come to an end….
Weekly Movie-Making Moments In Film – The Woman in the Dunes by Hiroshi Teshigahara and based on the novel by Kobe Abe
I have recently seen the wonderful Japanese film Suna no onna (Woman in the Dunes) 1964 by Director Hiroshi Teshigahara. It is an extraordinary film. Beautifully crafted. Surreal and mesmerizing. I highly recommend it. Below is a link to an analytical review and a link which contains the featured film. The film is available on Net Flix as well. The film is 2-hours and 27 minutes long. I have included a short synopsis of the film below.
http://youtu.be/P-2xec9Ebg0 – video essay by James Quandt – part 1 (please note, I was unable to find part 2 of the essay). Part 1 ends abruptly.
http://youtu.be/H-5fY8hZdTs – Feature Film
An entomologist, Jumpei Niki (played in the film by Eiji Okada), is on an expedition to collect insects which inhabit sand dunes. When he misses the last bus, villagers suggest he stay the night. They guide him down a rope ladder to a house in a sand quarry where a young widow (Kyoko Kishida) lives alone. She is employed by the villagers to dig sand for sale and to save the house from burial in the advancing sand.
When Jumpei tries to leave the next morning, he finds the ladder removed. The villagers inform him that he must help the widow in her endless task of digging sand. Jumpei initially tries to escape; upon failing he takes the widow captive but is forced to release her in order to receive water from the villagers.
Jumpei becomes the widow’s lover. However, he still desperately wants to leave. One morning, he escapes from the sand dune and starts running while being chased by the villagers. Jumpei is not familiar with the geography of the area and eventually gets trapped in some quicksand. The villagers free him from the quicksand and then return him back to the widow.
Eventually, Jumpei resigns himself to his fate. Through his persistent effort to trap a crow as a messenger, he discovers a way to draw water from the damp sand at night. He thus becomes absorbed in the task of perfecting his technology and adapts to his “trapped” life. The focus of the film shifts to the way in which the couple cope with the oppressiveness of their condition and the power of their physical attraction in spite of — or possibly because of — their situation.
At the end of the film Jumpei gets his chance to escape, but he chooses to prolong his stay in the dune. A report after seven years declaring him missing is then shown hanging from a wall, written by the police and signed by his mother Shino.
Lake Rock Sky (An Electric Ladyland Remix)
Sometimes an image reflects things that exist only in the mind….
What do you do with a memory that occurs suddenly while creating a piece? Or after the piece has been produced? I really did not have any definitive path for this piece. I just wanted to explore form, color and process utilizing photographic images from a lake, a sky and a mountain. Process is important to me and sometimes an abstract work can reveal a lot about process. It then occurred to me after its completion that it had both an organic and electrical feel to it. And the image that came to mind, while deepening my contemplative view of the work was Jimi Hendrix. Yes—Jimi Hendrix. Why Jimi, now that is a good question? You really do not see any real connection to Jimi at all in the piece. Or so it seems. Perhaps if you are thinking like I am—in that moment; or after having similar life experiences, you would see Jimi as well. But it is ok if you don’t. It’s your art as well as mine. I am just the physical creator of it. To you, it is what it says and reflects from your life experience. But I digress. Getting back to Jimi and how he relates to this piece, is in itself abstract. In 1970 while visiting my older cousin and sifting through his record collection, I came across two beautiful album covers and titles. Both were mysterious and beautiful. They were Band of Gypsies and Electric Ladyland. This was my introduction to his music and rock music in general. I was 13 years old. I never looked back. The two albums and the music recorded on the discs would have significant influence on my future art. An introduction to psychedelic colors, experimental structures and abstract forms.
So I saw Jimi, in this piece, and it began with a lake, a sky and a mountain. And I called it “Lake Sky Mountain (An Electric Ladyland Remix)”
I can hear Jimi say … groovy….
Park Sky Mountain (A Kinetic Design Remix)
When we observe nature from a design perspective, we often see her in a different light….
a place…
to find young love
with green grass
and warm days
– park
a view…
to dream
of far off lands
and nightshades
– sky
a trail…
to discover one self
on barren summits
and snowy slopes
– mountain













