Day 8 of the 30-Day Song Challenge asks the question what is “a song that you know all the words to”?
http://youtu.be/jeEobpQMgD4 Philip Glass’s – Knee Play 1 from the Opera Einstein on the Beach
In 1984, the Next Wave Festival showcased the 4.5 hour (without intermission) opera, Einstein on the Beach at the Brooklyn Academy of Music. I convinced some friends who had never heard of the Minimalist composer Philip Glass or Director / Set Designer Robert Wilson that it would be well worth the 45.00 ticket for admission. They nor I knew what to expect. But the avant-garde post modern opera / dance theatre did not disappoint. Indeed it was a thrilling, exploratory adventure into some of the most grandest forms of performance and art I had ever seen.
When the 30-Day Song Challenge asked the question: what song do you know all the words to; I came up with Knee Play 1. I really don’t know any words to any song in its entirety. But when you listen to Knee Play 1 you will quickly realize it is all about repeating a set up numbers. I think I can remember that 🙂 So from 1984 and the opening scene from Einstein on the Beach here is Knee Play 1.
day 01 – your favorite song – Stars of the Lid’s “Don’t Bother They’re Here”
day 02 – your least favorite song – Led Zeppelin’s “Stairway to Heaven”
day 03 – a song that makes you happy – Ivy’s – Edge of the Ocean
day 04 – a song that makes you sad – Trespassers Williams – Love You More
day 05 – a song that reminds you of someone – Trespassers Williams – Lie in the Sound
day 06 – a song that reminds you of somewhere – Isabelle Aubret – La Fanette
day 07 – a song that reminds you of a certain event – William Basinski – The Disintegration Loops 1
day 08 – a song that you know all the words to
http://youtu.be/rvSKJjCkVx0 Youtube video
In continuing the Post Canvas and Paint series, I am presenting a video piece entitled The Whipping Machine Acid Flex Dance Remix 1989 / 2010. It is a video art abstraction created as a video segment of The Whipping Machine, a multi-media performance of modern dance theatre performed at The Painted Bride Art Center in June of 1989 in Philadelphia. Utilizing the Amiga 1000 computer and multi-layering soft and hardware effects, I explore the pulsating ambient rhythm of marbled abstraction. In this segment the video represents the mesmerizing intoxication and manipulation by the industrial complex on the masses. Today I am posting this piece as a reflection of our current political and economic struggles.
Stay informed and stand up to tyranny and deception.
Lately, I have been feeling rather nostalgic and reflective.
The essence of being an artist, or just human, I presume. Because of this there
certainly has been a sense of longing for things past, their presence
resounding in the influence of various people, periods in time, and artistic
Presently, while writing this post, I am listening to a 10
hour playlist I created of four unique ambient sound artists: Chihei
Hatakeyama, Alva Noto, Sawako, and Ryuichi Sakamoto, all of whom weave found
organic sound samples and electronics to produce dreamlike soundscapes. I
mention these artists because they are currently what I find compelling in new music.
I will share excerpts from reviews about
their music in future posts. This brings to mind that half a lifetime ago in
the year 1977, while driving from NYC to Philadelphia at 4am, I came across the
WXPN’s (University of PA) Starsend electronic music program. Listening to the
surreal sounds of Tangerine Dream and Klaus Schultz was the start of many
journeys into experimental music and avant-garde arts in general.
All of this became a reflective thought and ideas for
posting this past week when I saw the film “Smithereens” by Susan Seidelman. I
have not seen this film in years. I remember first seeing it in the early 80’s
when it was first released in NYC. I was excited about coming across the film, and the opportunity of stepping back in time.
But I have been thinking about other influences of the past
as well. How perhaps music, film, festivals, theatre, family, friends travel, exhibits
and art etc., have conceptually developed the artistic vision I have. I hope to explore this phenomenon in future
posts as well. For this posting, I am including a work of art from 1997. It is
one of my all time favorite collages. It is a large 42 x 48 inch composition
depicting the remaining memories of family reunions, during Fourth of July
picnics at the park and in Glenside, PA in the 1960’s. The title of the piece
is “The Park” and my first major showing of the work was in NYC at Agora Gallery
in Soho in 1997.
So I would like to introduce you, my blog buddies and
readers to “In the Reflective Mirror / Various Artistic Influences.
Let me know what you think of the various postings, and
include your creative influences that stand out and reflect your life’s
And up next a musical playlist….