Transcending the Ambiguities of the Heart (at sea remix 2011)
Transcending the Ambiguities of the Heart
Prologue from Miles Ahead / Everything But the Girl / From Life and Stolen Innocence by Walter Smith
“Life on the oceans of the world is sustained by the luck of the draw—same as on land. At times it is called, (in recent history) the ‘American Dream’—the need to discover, possess and to be miles ahead. We find ourselves by looking beyond the impending realization, (everything but the girl) —reaching for it with fervent desperation. At other times it’s a sighting too late and the course not taken. Drifting for what seems like the duration of timelessness on the empty sea of lost love. For centuries man has sailed the seven seas and oceans of the world—in search of…”
He paused, smiled and then continued, “A couple of good stories to tell a young seafarer.”
Maybe Tomorrow a Similar Question a Different Answer 04
Hi Liz
I woke up today, far away, in The Backyard of Meditation…
Thinking and Imagining…
Art.
Major effects for The Backyard in Meditation 04: Multiple layers, Displacement Map @ 48 % blur, Displacement Properties @ 2D offsets, intensity 24.00, and edge mode: wrap. Artistic Effect: Chrome @ 4 % flaw, and 50 % brightness.
Maybe Tomorrow a Similar Question a Different Answer 03
Hi Liz
The question is the method in which one creates art… Sometimes in the waking I have a kinetic dream… I love the mystery of art, and find the meaning in the process of creating.
A series of posts in fragments explore the possibilities. And as John Cage the avant-garde artist and composer would see it; art by random chance—whatever the computer dictates.
A series of effects upon the landscape the Backyard in Meditation 03, a soft focus and a repeating of the displacement map—finding oneself, losing oneself—melting into the process.
Abstract Art and Surrealism are early influences: Jackson Pollack and Salvador Dali fuel the fire and stroke the process.
The meaning, the how, and the essence is in the process.
Major effects for The Backyard in Meditation 03: Multiple layers, Displacement Map Repeat (3) @ 48 % blur, Displacement Properties @ 2D offsets, intensity 24.00, and edge mode: wrap. Soft Focus @ 90 % softness, 100 @ edge importance (Focus), 80 % amount, 50% halo size, 90% halo visibility (Halo). Edge Effect, Erode.
Maybe Tomorrow a Similar Question a Different Answer 02
Hi Liz,
You asked about the process of creating my work. That question is perhaps leading me to think about this as a series of posts that in fragments will convey the answers visually and instructional. So with that in mind, here is a collection of answers highlighted in large type. I have a large inventory of images from over the years. And as I have said on my website, the computer allows for what seems like infinite possibilities of creative choice and energy. I have certain steps that are basic such as photo correction (done first and throughout the image manipulation). I then create a series of effects, which are based on the photo style itself (portrait, landscape, abstract, etc) and in which direction I want the image to go (sharp or soft, but always rich in color and form). I love to layer my images when creating large conceptual pieces. However for the posts I am usually looking at more simplistic imaging to correspond with the immediacy of the posting. I find this to be like “sketching”. Sometimes I can complete an image for a post in 30 minutes or less. The internet and social networking provides a new art medium in-of-itself. It can dictate how an artist approaches his own work. It also forms a new way of communicating with large exposure. In the past the concentration was on gallery exhibitions, and producing hard copies, (prints) etc. But now, I can also hope to find various internet vehicles to promote, and to create, new visual processes for the future.
Major effects for The Backyard in Meditation 02: Multiple layers, Glowing Edges @ 3% intensity, 20% sharpness.
Maybe Tomorrow a Similar Question a Different Answer 01
Hi Liz,
Thank you for the wonderful comments on the series entitled “Biking to a Place Inside and Out”. In this four part series entitled “Maybe Tomorrow a Similar Question a Different Answer, I will be using the element of repetition (the heart of my work is in repetition) both in prose and image to answer the question… How do I create my art? For this series the piece I will be reconstructing is a detail from the 2004 collage “The Backyard in Meditation”. My goal is not to convey a step-by-step explanation of the process, but to hint at the intuitiveness that is inherent to the process.
First, I have a large collection of photographs and remixed images that I can use. I have been creating digital art since 1985. I always start a piece with photo correction techniques before creating effects. Depending on the image (portrait, landscape, abstract) determines where I want to go in relation to effects (soft, sharp organic, geometric, opaque, transparent etc). I always let the computer contribute its own “ideas” as well. It is important to note that for my posts, I usually utilize a single frame image and not a multi-layered, multi photo, image that I produce for my more conceptual collages. The images for the posts are similar to “sketches” which are quickly created… unless it is a previous image already found in my portfolio. One of the things that I am discovering in this process is the immediacy of the internet and social networking i.e. YouTube, Facebook, blogging etc. I want these various internet mediums themselves to become the vehicle for art, individual and collectively. That is why blogging is exciting. It provides a challenge to produce regularly and also provides tools for creativity and a diverse audience. I recently thought of the idea of creating an avatar of me, as an artist, and a real-time internet gallery space to create work in and interact with visitors who come to the gallery.
Major imaging effect for The Backyard in Meditation 01: Multiple layers, Displacement Map @ 48 % blur, Displacement Properties @ 2D offsets, intensity 24.00, and edge mode: wrap.
Biking to a Place Inside and Out / 07
One of the best places to road bike is along the Blue Ridge Parkway in North Carolina. The BRP stretches for hundreds of miles (approximately 470) through North Carolina and Virginia. It is one of the most beautiful scenic rides in the country. The parkway follows the Appalachian Mountain chain. From Shenandoah National Park the parkway follows the Blue Ridge, eastern rampart of the Appalachians. It then skirts the southern end of the massive Black Mountains, named for the dark green spruce and fir that cover them. Then it weaves through the Craggies, the Pisgahs, the Balsams to end up in the Great Smokies. I had the pleasure of staying at the famous Pisgah Inn located on the southern end of the parkway, at Mount Pisgah about 30 miles from Asheville, NC. You can marvel at the forest-clad mountain peaks, mist filled coves, and the slopes of fragrant balsams, rhododendrons, mountain laurel and flame azalea. It was a great week of biking, hiking (Graveyard fields to the Upper Falls), art galleries (Blue Spiral and galleries in the River Arts District), independent films (La Vie En Rose, the story of French singer Edith Piaf) and fine dining (organic, Thai and Indian). But I must say that for a spectacular view, and good food, the restaurant at the Pisgah Inn with its panoramic view overlooking the Blue Ridge Mountains is unsurpassed. And finally, a perfect end to an evening is sitting on your private back porch watching the sun set beyond the mountains.
Biking to a Place Inside and Out / 06
I am very fortunate that were I live, I can immediately access miles of rural back roads to immerse myself on my road bike. I spoke earlier about the sense of transformation that is achieved while biking. Here on these winding roads and gently sloping hills, I pass by farm lands, historic areas, woods and beautiful estates. What enhances a great ride is the right music. There is a distinct difference in the selection of music for road and mountain. On the road there is a need to be able to hear your surroundings for safety measures. Hence, my selection is always, soft, slow dancing ambient. My favorite band for a ride is the neo-classical ambient band from Austin Texas, Stars of the Lid. In fact, this has been the most prolific band for me in the past two years. This is aural mastery of the highest order. In contrast, when mountain biking, there really is no need to be conscious of your surroundings. Now your music can flow anyway you like. For the mountain, I prefer long flowing electronic sounds from bands like AES Dana, Bombay Dub Orchestra and Near the Parenthesis, or French Pop artists like Etienne Daho, France Gall, Charlotte Gainsbourg, and Alizee to name a few. It is here on the mountain when you need that extra aural drive to push your rhythm to its fullest—to make that climb.
Biking to a Place Inside and Out / 05
And to achieve a great ride you’ve got to know and trust your bike. I ride a Trek 4300 on the mountain and a Giant OCR on the road. Both bikes have served me well and have maintained their riding integrity in spite of the miles and punishment I have put them through.
Biking to a Place Inside and Out / 04
But here in the South biking takes on a whole new dimension. It explodes with energy and beauty. Both road biking and mountain biking provide a means to an enriching and trans-formative end. This post entitled “Biking to a Place Inside and Out” includes a gallery of images that records visually that magnificent end. And it is an attempt to express the color, beauty, emotional, and physical essence of biking. It is difficult to say what I enjoy most–road or mountain biking. They both provide their own unique challenges. The mountains of Western North Carolina, and the forest areas of South Carolina harbor great recreational parks such as Tsali, DuPont State Forest, Bent Creek, and Laurel River in NC and Paris Mountain, Southside and FATS (Forks Area Trail System (named one of the top 10 machine-made trail systems in the country)) in SC. These are moderate and difficult level trails with hundreds of feet in elevation changes. They are comprised of single track, access roads, and some, like the Left and Right Loops at Tsali, a single track that the rider navigates around a large man-made lake (Fontana Lake). In a recent conversation with a fellow rider, we discussed the horrible consequence of making a riding error and going over the edge into the lake (not good). In the winter the lake is drained and in the summer it is at full capacity. Until then, it had not occurred to me that the prospect of losing one’s bike to the lake could become a reality. But a challenge is a challenge, and in mountain biking especially, there can be no room for fear. Both the Left and Right Loops are each approximately 12 miles in length, and any lapse in concentration could be costly. In contrast to the obvious hazards, Tsali is a very beautiful recreational park located on the borders of Swain and Graham counties with the Great Smokey Mountains as its magnificent playground. One can only marvel at the beautiful surroundings that become infused with every fiber of your being as you push, pedal and commit yourself to go one yard farther—to make that climb. Throughout most of these parks are rivers, gorges, tree roots, rocks, creek crossings, ravines, dead drops, imposing trees everywhere, and some that provide mountains summits that climb to 5000 feet. Expect to fall, expect to get hurt. These and numerous other challenges test the will, the level of oxygen deprivation to the muscles, balance, hand/eye coordination, timely decision making, and your overall physical stamina.
Biking to a Place Inside and Out / 03
Biking in the big city is quite different from biking in rural areas such as here in South Carolina. In the city, it’s about taking your time and blending in with your surroundings i.e. talking with strangers (girls mostly), stepping in and out of stores (got to have a lock), cruising downtown (looking cool), and going to the park for that “getting away from it all feeling”. Philadelphia has one of the largest city parks in the nation called Fairmount Park. It embodies four sections of the city, with beautiful trails and drives (most notably the East and West River Drives). Rivers, creeks, long stretches of trails and scenic vistas can be found only by biking, horseback riding or hiking.
Biking to a Place Inside and Out / 02
In Philadelphia, growing up as a teenager in the 1960’s and 70’s, I enjoyed the freedom biking gave to my friends and I. We had back then what we called “Vroom” bikes. These were the bikes with the big V-shape handlebars (before the smaller BMX). As a group of young riders we were very competitive. We often challenged others boys from rival gangs in competition to see who could do the longest “wheelies” (lifting the front wheels and pedaling for blocks at a time, turning corners, and riding backwards). Needless to say, we sometimes found ourselves in fights, arguments and riding for our lives. Gangs were a prominent fixture of Philadelphia in the 60’s and 70’s and although we were quite young we were not immune to the violence in rival neighborhoods.
Biking to a Place Inside and Out / 01
There is something about biking on a trail or on the road that leaves one breathless—sometimes literally breathless. The energy consumed, the movement imposed, and the feeling of space and time standing still. In all of this there is the sense of traveling without moving, yet always a feeling of perpetual flight.
I love biking, then and now…
Transcending the Mundane
Our daily lives at times are filled with what seems like perpetual forms of the mundane. This is when the life around us appears to slow down and things appear to stand still. The thinking mind is no longer centered, but restless—searching for something to attach itself to. It is moments like this that we long for distraction. We may at this time unknowingly appear to be succumbing to this longing, but it has been there all along. It is the ego and it is at the foundation of our cyclic existence: (samsara): uncontrollably being reborn under the influence of disturbing attitudes and karmic imprints.
Today, I am experiencing such disillusionment or distraction. I am not at all centered. I want to think of something to do or find a profound gesture to give my life greater meaning. I say to my-self “you can create some art, or write a post for the blog or rehash thoughts about what I want out of life.” Now that (rehashing thoughts) is certainly a great way to keep one-self distracted—to be out of the present moment. The quickest way to address these moments of being “lost” in our thinking is to sit quietly and just observe the thoughts through our practice of meditation. Let the thoughts, like the waves of the ocean, rise and fall. We can say to ourselves, “I am thinking.” This is the beginning of Liberation: freedom from cyclic existence and Nirvana: the cessation of unsatisfactory conditions and their causes.
So today, I see the mundane for what it really is: a distraction from what is: We may call it mundane, but it is life itself in this present moment, and we can learn to embrace it.
And when we see it for what it truly is, we are free from any misconceptions that may arise.
We are on the path to Liberation and the end of Samsara.
The Narrow Way / The Bridge to Knowing
We often try to understand who we are through the process of knowing. In doing so, we come face to face with a peculiar dialectic. That peculiarity is how to bridge the awareness of being the knower and the known. To do this, one must understand that everything in awareness is known because of you. Our perception of the things around us is derived from an ever changing inherent existence. Things can never exist upon their own power, nor can the awareness of things be from the thinking mind alone. We exist in that place in between the two — You are Knowing. It is the state of Knowing that frees us from the misconceptions, the untruths of the object / known relationship and the subject / knower relationship. We begin the journey with our daily practice in meditation, and move forward when we let go of ourselves and the world around us and just Be That which Is.
A horoscope perspective for a Gemini the twin / 1/13/2011
Astrologer Hunter Reynolds says that when you are at your best, you Geminis specialize in “enlightened impatience.” You don’t get trapped expressing polite deference in situations that drain your energy. You don’t tolerate boring experiences just because they’re supposed to be good for you. You’d rather “err on the side of learning-through-too-much-movement” than get bogged down in “principled sluggishness.” But while that’s how you are when you’re at your peak, you can also be susceptible to the dark side of this talent. Sometimes you abort a potential breakthrough by prematurely fleeing a useful but difficult scene. I suspect you may be prone to that kind of behavior right now. My advice: Be skeptical of your escape reflex.
Friends who move intrepidly through themselves are invaluable
Hi Leslee,
What a remarkable blog you are contributing to us all. I am profoundly amazed at the way you have examined and expressed what we all go through i.e. the fears, the attachments, the expectations. The spiritual, artistic and philosophical understanding you possess is a joy to know and your sharing is transforming the way, we who know you, see ourselves. The fact that you are utilizing your intuitive knowledge and your years as a Buddhist Nun in moving forward, are a tribute to the recollection of the Higher Self.
I can relate to the experience of your “going to the salon,” in order to find yourself through change. In 1997 after eight years of having dreadlocks, I remember the decision to cut them. Wow, what a defining and prolific moment that was. I was sitting there watching years of love and care, of spirit and dedication fall to the floor. It had occurred to me as well, that this was a moment where my life was changing. Moments in life are a continuum of change. Transformation is a fact.
Art has always been a vehicle and tool for change, for transforming our misunderstanding into awareness. I appreciate so well your connected sense of being to your art as it mirrors my own. To have a friend who moves intrepidly through herself is invaluable.
Thanks for the great post and namaste.
Walter
In memory of Robert Wulbrecht / a distinguished Highwire Artist

Robert working on translucent screens in preparation for the 19 American Artist exhibit in Berkgerk, Deventer in the Netherlands.
This post is dedicated to the memory of an artist that I came to know quite well during our stint as members of Highwire Gallery. The digital image I created here is from a photograph taken while several artists were preparing for the exhibit at the Bergkerk Gallery. There were a number of screens (I do believe three) that Robert created. When light was transmitted through the multiple screens they projected the image designed on the screens rather beautifully. One of my fondest memories of Robert was during our show at the Black Banana in downtown Philadelphia, January 7th 1994. Robert and I and fellow artist, Marita Fitzpatrick produced mixed media paintings and drawings. I created a video montage. During the time Robert and I knew one another we talked often about the creative arts, and its meaning and impact on our society.
Robert will be missed. His Spirit infused with love for life and art passed on from this plane of existence a few years back.
19 Amerikaanse Kunstenaars / 19 American Artists / Bergkerk, Deventer 1990

Jessie Lyle, Constance kocs, kimberly Hunter, Pat Sprott, Joanna Hartell, Mary Clark, Robert Phillips, Roni Chernin, Mark Stolte
19 Amerikaanse Kunstenaars / 19 American Artists in Bergkerk Deventer the Netherlands. Tentoostelling Van Hedendeaagse Belldendekunst / Exhibition of Contemporary Art. 1 Juli T/M 22 Juli 1990.
What a fantastic photograph of some of the members that exhibited in Holland. Thanks Joanna for the photograph. I slightly altered the image to bring out the color and bring it up to date for my 2011 remix series featuring Highwire Artists. This post, and the blog in part, is dedicated to the artists of Highwire. Over the years, the collaborative sense of Highwire has always been the driving force of its creativity and its strength. Let’s stay connected, so please subscribe to this post, and you will get an email when new posts are created and posted. I feel very motivated to pursue this project on the blog, and its success will be in part because of your contributions. So leave comments, send me photographs (via Facebook or email) and bring back memories for us all.
The Mind in Conscious Meditation
The background image for my blog is one of the visual components for the final piece entitled: “The Mind in Conscious Meditation.” Over the past few years I have begun to meditate on the Dharma teachings of emptiness: the lack of independent or inherent existence. This is the ultimate nature or reality of all persons and phenomena. In 2009 I started a series of works entitled “Chakra Flowers for Meditation.” This series embodies the concept of mindfulness and nature as one–with flowers as one of its main abstract elements. Here is the final image in its completion.
First thoughts to my friend Leslee
Hi Leslee,
What a powerful vehicle blogging will be for you. You are insightful and thoughtful in your perspectives on mindfulness. I will enjoy gaining wisdom from you and sharing my thoughts with you as well. While reading your first blog, I sat quietly for a moment and pondered on the pursuit of being one with our lives in all its fullness. It can be challenging to let go of our fears and attachments, however the journey and the enlightenment found therein is the most important thing.
Thanks again, and I hope our communication about ideas, art and life grow.
Your friend in Spirit and Love
Namaste
Walter


































