Reality is the way we see things …
http://youtu.be/2fYwhvPeRds — The Perception Of Time (A Beating Heart Remix) Copyright 2012 – Walter W Smith – Music by Stars of the Lid
While watching a recent NOVA program, entitled The Fabric of the Cosmos, I once again became fascinated with the subject of “time” and our perception of it. It appears scientifically, that time exists in a “space-time continuum”. Simultaneously existing. Integrated. Both influencing each other. A theory developed by Albert Einstein. My video delves into the human condition of the beating heart as an integral part of past, present and future; as being one without division; all that ever was, is, and will be.
This reality, if one takes the scientific approach, will create for us, another way of thinking about our lives. It can produce an uncertainty of sorts. Does it relinquish us from our past? Does it make the present moment more significant? Does it liberate us from the fear of the unknown–the future? Do our attachments, our thoughts, even our beliefs change and reconstruct themselves? Does our change in perception change even our bodies on a molecular level? Do we become more infused with All There IS?
Yes, I believe so. I can only feel emancipated. Why, because it connects me to everything. I can feel my heart beating as it once did and as it will forever. I can sense the surge of the cosmos and the essence of eternity existing within my very being.
It is beautiful … my reality of time and my beating heart.
P.S. in 1984 I saw the production of Einstein on the Beach at the Brooklyn Academy of Music. It is a post-modern opera produced and created by Robert Wilson and Philip Glass. It is based on Einstein’s theory of the space-time continuum. Beautiful and energetic, I highly recommend viewing it on YouTube.
Here is a link to a segment of Einstein on the Beach.
http://youtu.be/Q80xaxpBWjY — Knee Play 5 by RQLVN
Day 8 of the 30-Day Song Challenge asks the question what is “a song that you know all the words to”?
http://youtu.be/jeEobpQMgD4 Philip Glass’s – Knee Play 1 from the Opera Einstein on the Beach
In 1984, the Next Wave Festival showcased the 4.5 hour (without intermission) opera, Einstein on the Beach at the Brooklyn Academy of Music. I convinced some friends who had never heard of the Minimalist composer Philip Glass or Director / Set Designer Robert Wilson that it would be well worth the 45.00 ticket for admission. They nor I knew what to expect. But the avant-garde post modern opera / dance theatre did not disappoint. Indeed it was a thrilling, exploratory adventure into some of the most grandest forms of performance and art I had ever seen.
When the 30-Day Song Challenge asked the question: what song do you know all the words to; I came up with Knee Play 1. I really don’t know any words to any song in its entirety. But when you listen to Knee Play 1 you will quickly realize it is all about repeating a set up numbers. I think I can remember that 🙂 So from 1984 and the opening scene from Einstein on the Beach here is Knee Play 1.
day 01 – your favorite song – Stars of the Lid’s “Don’t Bother They’re Here”
day 02 – your least favorite song – Led Zeppelin’s “Stairway to Heaven”
day 03 – a song that makes you happy – Ivy’s – Edge of the Ocean
day 04 – a song that makes you sad – Trespassers Williams – Love You More
day 05 – a song that reminds you of someone – Trespassers Williams – Lie in the Sound
day 06 – a song that reminds you of somewhere – Isabelle Aubret – La Fanette
day 07 – a song that reminds you of a certain event – William Basinski – The Disintegration Loops 1
day 08 – a song that you know all the words to
What do you expect from art? How does art feel when it is
found? Where do you find art? Can art be here but not there? Is art on the
street? Why is art beautiful? Is art beautiful only when seen? Does art answer philosophical
questions? Does your child make art knowingly? Is art around the corner from
where you live? Do you dine near art? Is art inside your home, but not on your
wall? Can art be lost? Does art have longevity and sustainability? Is art your
religion? Is point A to point B art? Is art in an industrial park or in a
trailer park or in the park? Is art mobile? Is art agile? Is art sensitive unto
itself? Is art fragile? Does art have emotions? Is art dead?
What is modern art? What is post-modern art? What is
impressionism? What is expressionism? What is conceptualism? Is art abstract?
Is art figurative? Is art delineated by isms? Is art an analog tape loop? Is
art a digital sequence? Is art a light reflected? Is art a moment in time? Is
art a movement in contrast? Is art a reality unknown? Can art be more than it appears? Is
art a collection of artists? Is art a contract? Can art be voided, misplaced or
oppressed? Does art need to be more? Does art save the day? Can art save when it
has failed? Will art survive when it is destroyed? Does art breathe? Will art breathe
in us? Is art under water, in the sky, in a mother’s womb, or found bathed in silence?
Does art give birth? Is art alive?
What do you think? Why ask questions about art?
In the meantime enjoy the slide show: In the Reflective
Mirror / Various Artistic Influences.
- The Whipping Machine, Collective Enterprises
Productions 1989, Painted Bride Art Center
- The Whipping Machine, Michael Davenport, Walter
Smith, Van Grimes 1989
- The Whipping Machine, Painted Bride Art Center, 1989
- Next Wave Festival, Brooklyn Academy of Music
- Molissa Fenley and Dancers, Geologic Moments: Next
Wave Festival 1986, original photo Marcus Leatherdale, digital remix Walter
- Critics Pick, Solo Exhibition, Computer Art, Villanova Art Gallery 2001, Walter Smith & First Friday,
Walter Smith, Robert Wulbrecht, Marita Fitzpatrick
- 2 Men 4 Walls 1 Month, Highwire Gallery 1991,
Walter Smith & Mark Stolte
- Eiko & Koma’s New Moon Stories: Next Wave
Festival 1986, original photo Marcus Leatherdale, digital remix Walter Smith
- Commodore Amiga Computer, Genesis of Computer Art 1985
- Michael Clark and Company: Next Wave Festival
1986, original photo Marcus Leatherdale
- Ash Ra Tempel, The Gatherings Concert Series, St Mary’s Church,
University of Pa.
- Anna Teresa de Keersmaeker: Next Wave Festival
1986, Brooklyn Academy of Music 1986
- Scenes from CIVIL warS, Act v – the Rome
section, by Robert Wilson and Philip Glass, original photo Peter Simon, digital
remix Walter Smith
- Steve Roach, Ambient Music, & Relache, Philadelphia Ensemble for Contemporary
- John Cage: Next Wave Festival, Brooklyn Academy
of Music 1986, photo Peter Hujar
- Life and Stolen Innocence, Walter Smith, Highwire
Gallery 1992, Philadelphia Pa
- Philip Glass: Next Wave Festival, Brooklyn
Academy of Music 1986, original photo Lynn Davis, digital remix Walter Smith
- Robert Wilson: Next Wave Festival, Brooklyn
Academy of Music 1986, original photo Peter Hujar, digital remix Walter Smith
- Impossible Theater Social Amnesia: Next Wave
Festival 1986, original photo by Erik Kvalsvik, digital remix Walter Smith
- Merce Cunningham’s Summerspace with scenery and costumes by Robert
Rauschenberg, original photo by Jack Mitchell, digital remix Walter Smith
- Post Canvas and Paint Series 10.13.2010.6:48.a.m.
Digital Artist, Walter Smith