words and art by w a l t e r w s m i t h

Posts tagged “Painting

I Love A Place When It Becomes A Part Of Me

The memories of a place in time brings the heart such joy….

Table Rock State Park in South Carolina

waking up this morning, I could not free my self from the thoughts that surround me

like the stream that flows so fluidly

my mind embraces and caresses the rock of my salvation…

nurturing the journey within….


We Say Good-Bye To Ourselves

For you and I all that is left….

Looking out to what was

we say good-bye to ourselves

before it is too late

when you ask to know why

before the last door is shut

you smell the rose

you see the forest for the trees

lost at sea

we say good-bye to ourselves

before the next day comes

when you know the answer why

the last door can’t be found

no more pie in the sky

no more man in the moon

is it really too soon

to say good-bye


The Silence In Urban Meditation

The silence series….

Towards the inner silence of the city – urban meditation

Urban Meditation 01

Urban Meditation 02

Meditation is not a way of making your mind quiet. It is a way of entering into the quiet that is already there – buried under the 50,000 thoughts the average person thinks every day. – Deepak Chopra

In the city the choices that become attachments lead us into the noise of our thoughts….

Urban Meditation 03t

Urban Meditation 04

My meditation is without hesitation, and the marks left behind are indications of a state of oneness with my environment, my people and the universe. – Ian Factor

Somewhere in the city; in its alleys, playgrounds, parks and abandoned buildings, we find the place to know ourselves….

Urban Meditation 05

Urban Meditation 06

At the museum a troubled woman destroys a sand painting meticulously created over days by Tibetan monks. The monks are not disturbed. The work is a meditation. They simply begin again. – Susan Griffin

In the city we find the process of renewal; we simply find the quiet place….

Urban Meditation 07

Urban Meditation 08

Is there a meditation that is not the ego trying to become? Is meditation conscious if every effort implies time? – Jiddu Krishnamurti

The city offers its timeless darkness and beautiful heaven; our meditation frees us from both….

Urban Meditation 09

To meditate is to observe yourself, for you are totally responsible for your body, mind, thought. – Jiddu Krishnamurti

The city has always been a place where I could lose myself. And at times I have….


With Every Breath A New Dream Is Born (Discovery Remix 2012)

We have all the means of vast exploration and creativity inside of us….

The inward view and the outward dream

“You must not for one instant give up the effort to build new lives for yourselves. Creativity means to push open the heavy, groaning doorway to life. This is not an easy struggle. Indeed, it may be the most difficult task in the world, for opening”. – Daisaku Ikeda


The Ending Memories of a Deep Dark Place and a Beautiful Heaven (Turning the Page – Recovery Remix 2011)

The City series….

A deep dark place a beautiful heaven to lose yourself forever

small towns…

big cities

where hopeless dreams

dance

swim

when the carnival is over

and

we are lost at sea

the magic escapes us

and the years are gone

small towns

big cities…

where the dreams

we shared

in the deep dark place

and

beautiful heaven

are

just moments

now forgotten


At Every Corner the Noise of Our Thoughts Intersect

The city series….

Sometimes the noise of our thoughts take us places we can no longer go

Illuminating the intersections of our lives….

When you arrive naturally at a state of meditation, inspired by the View, you can remain there for a long time without any distraction or special effort. There is nothing called “meditation” to protect or sustain, for you are in the natural flow of the wisdom of Rigpa. And you realize when you are in it that is how it has always been, and is. When the wisdom of Rigpa shines, not one shadow of doubt can remain, and a deep, complete understanding arises, effortlessly and directly.

This moment is the moment of awakening. A profound sense of humor wells up from within, and you smile in amusement at how inadequate were all your former concepts and ideas about the nature of mind.  – Rigpa Glimpse of the Day

Sometimes when we are distracted by the noise of our thoughts, we can look within; to the light that illuminates and frees us. Knowing that at every corner, every self examination is the opportunity to renew our perception of the world around us and the thoughts that govern our relationships.  – Walter W Smith


Urban Contemplation: 10 – Music for Entangled Thoughts – Lawrence English & Ai Yamamoto

The city series….

Music for Entangled Thoughts

http://youtu.be/gy1C5Jj6zNQ – Lawrence English & Ai Yamamoto – Plateau 2007

Detail of entangled thoughts and attached emotions


Where the Entanglement of Our Thoughts and Emotions Reside

The city series….

The ambiguity of a certain step

life and stolen moments….

where things are taken away

and given back with bated breath

while we intrepidly

hesitatingly

transcend the mundane

where things are like yesterday

and in every breath

life is given hope

like tomorrow’s dream….

the American dream

in the illusion of timelessness

where things are the same

on either side

of the entangled thought

and attached emotion

where the city sleeps

at the crossing of life and liberation


Weekly Photo Challenge: Windows

Windows at Highwire Gallery – Island, Water, Bridge exhibit 1993….

What illumination, the light shinning through; creating the perfect ambience for the found art installation.

The windows at highwire gallery - the second street art building


The Silence in Transformation

Towards the transformation that your Mind can see….

The act or process of transforming somebody or something.

Transformation 01

Transformation 02

One powerful way to evoke compassion, and to transform is to think of others as exactly the same as you.

“All human beings are the same—made of human flesh, bones, and blood. We all want happiness and want to avoid suffering. Further, we have an equal right to be happy. In other words, it is important to realize our sameness as human beings.” Dalai Lama

Transformation 03

Transformation 04

when the View is constant
the flow of Rigpa unfailing
and the merging of the two luminosities continuous and spontaneous
all possible delusion is liberated at its very root
and your entire perception arises, without a break, as Rigpa – Sogyal Rinpoche

Transformation 05

Transformation 06

Do not make the mistake of imagining that the nature of mind is exclusive only to our minds. It is in fact the nature of everything. It can never be said too often that to realize the nature of mind is to realize the nature of all things. – Sogyal Rinpoche

Transformation 07

Transformation 08

Moving through the transformation that the Heart can feel….

Transformation 09: Heart


Until You, I Didn’t Feel Quite Finished

the days fade into each other

waking

drifting

dreaming

sleeping

and…

until you, I didn’t feel quite finished

the nights fade into each other

thoughtless

senseless

emotionless

passionless

and….

until you, I didn’t feel quite finished

love haunts

love beckons

love promises

love fades

and…

until you, I didn’t feel quite finished…

until now….

Until you, I didn't feel quite finished


The Silence of Creativity

Towards the love within….

Creativity

Creativity 02

Where does the impetus for creativity come from? Is it a latent form of suppressed
experiences and / or emotions? When is creativity realized, and how is it manifested into what we call art?

As artists it is hard to imagine a world without art and the forces of creativity that fuel it. It is also at times difficult to understand the sensibilities that emerge from the soul when an idea comes into being i.e. its origin and purpose. Perhaps we can conclude with some ambiguity that creativity is indeed either individualistic, universal, or both—governed by the life one has lived or hope to live.

Creativity 03

Creativity 04

“The imagination imitates. It is the critical spirit that creates”. … Oscar Wilde 1854-1900

“Sometimes you’ve got to let everything go – purge
yourself. If you are unhappy with anything…whatever is bringing you down, get
rid of it. Because you’ll find that when you’re free, your true creativity,
your true self comes out”. … Tina Turner b. 1939

Creativity 05

Creativity 06

“Imagination is the beginning of creation. You
imagine what you desire you will what you imagine and at last you create what
you will”. … George Bernard Shaw 1856 – 1950

Creativity 07

Creativity 08

“Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep”. … Scott Adams b. 1957

Sometimes I see things around me that are in part a glimpse of reality. The many “realities” that surround my life often become vehicles for abstraction through the creative process. They are like a multitude of intersections—full of possibilities. As artists we must always ask the question is this the direction I want to go? Will this convey the message I desire to express? But in the end we can only trust in the mystery of what is and what it means to create art and call oneself an artist.

Creativity 09

The Silence of Creativity and the Creative Journey Within

What are your thoughts? As an artist or writer or master of any creative discipline where do you believe creativity arises from? Please share your ideas and what inspires you to follow your imagination.


The Fun House @ Highwire Gallery: 1991 / Dreaming in Future Tense / a 2011 remix

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“Sometimes we turn the pages in the Book of Memories and come to remember the children who dream in future tense”…..

The Highwire Gallery production of The Fun House
workshop began in March 1991 at the Sayre Morris Community Center in West
Philadelphia and concluded with a performance in May. Funded by the PA Council
on the Arts, the goal was to bring together a group of children and introduce
them to the arts. Our focus would be on dance, performance, music and the visual
arts. Another important part of the workshop was for it to be a community
service, which merged different ethnic backgrounds and communities. For the
eleven girls who participated in the workshop, the hope was to inspire personal
challenges and the pursuit of their dreams. Everyone involved, the artists of
Highwire Gallery, the kids, Empress our musical director, Sandra Lynn our choreographer,
and “DADA” (Dancers Against Drug Abuse) met the challenge and worked hard to
make the program a huge success.

How do we encourage our children to dream, a dream that
inspires, enriches and motivates them to reach for the sky, and to touch just one of the millions of snowflakes that
can be found in the realm of possibilities? How do we lead them by the hand,
through the garden of hopes and dreams?

The Kids at Sandy Beach 2011

I think we do it one child at a time, one school at a time, one
project at a time, and as one community. Children love to discover, and be creative.
I strongly believe that the arts will provide them with the tools they will need for exploring their
imagination and giving birth to their dreams.

What do you feel is our children’s greatest need? What resources in our society would you like to see be provided for the well being and growth of our children? Do you believe that the arts, especially at a young age, is a vital tool for encouraging creative thinking and problem solving?

What do you think?

Select the link below for a dream-like journey into a contemporary child’s lullaby.

http://youtu.be/p3HGyXa0mjM

Winter Poem by Nikki Giovanni 

once a snowflake fell

on my brow and i loved

it so much and i kissed

it and it was happy and called its cousins

and brothers and a web

of snow engulfed me then

i reached to love them all

and i squeezed them and they became

a spring rain and i stood perfectly

still and was a flower

— Author and poet Nikki Giovanni

From “The Selected Poems of Nikki Giovanni”

And last but not least in this journey of dreams…a short animation.

http://youtu.be/e-sj8_UvD2A


Impressions in Barbados 03 / Ceremony

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Impressionism is a theory or style
of painting, literature or music which aims to reflect subjective impressions
rather than objective reality.

Ceremony is defined as a formal
act or set of acts as prescribed by ritual, custom or etiquette. [sacredness or
religious rite]

There is something beautiful and magical about a ceremony. It brings people together.
During our trip to Barbados, our group participated in a very moving one. It was
an ash to sea ceremony. We found the location on the island which was noted as
being nearest to Africa. It was there that the twelve of us performed what I
will always remember as a beautiful and deep expression of love and
remembrance. Some of us said a few words in observance of the passing, and others expressed
compassion and recited poetry. And in the end there were flowers, sand, and
surf coming together to set adrift the physical presence of a loved one.

What ceremonies remain in your heart? Do you believe that ceremonies are still
important in this day and age? Tell me about a ceremony or ritual that you participated
in that changed your life, and if so why.


Impressions in Barbados 02 / Celebration

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Impressionism is a theory or style
of painting, literature or music which aims to reflect subjective impressions
rather than objective reality.

The Crop-Over Festival is a yearly
event celebrating the sugar crop production in Barbados. It is a week-long party
all over the island. Everywhere you go people are in the streets, restaurants,
and on the beaches drinking, eating and partying. It was fascinating watching the
many parades that snaked throughout the streets.

And everywhere the town was alive with music.
Even the beaches could not escape the sound of bands playing reggae, rock, and Caribbean
music on stages lining the shore. One such moment was quite magical as the
sloping foothills crowded with people edged its way down just yards from the
ocean.

I had a great time, and I recommend if you get the chance and love to party to go visit Barbados.

I took over two hundred photographs to document the festivities. In this post I include some of my favorites.

What do you think? Do you have a favorite party locale where you can let yourself go? Please share your thoughts.


Impressions in Barbados 01 / A Land of Beauty

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Impressionism is a theory or style
of painting, literature or music which aims to reflect subjective impressions
rather than objective reality.

In 1995 I had the pleasure of going to the island of
Barbados during the week of the Crop-Over Festival. The festival is a week-long celebration of
the sugar crop production of the year. This is a celebratory time for
visitors and native islanders who line the streets and beaches in search of fun
and surf. I was with a party of 12 that consisted of my sister and her friends.
We stayed in some lovely and remote time-shares located on the southern part of
the island.

The Impressions in Barbados series was created as a
salutation to all of the impressionist painters who have over the years turned
landscapes, seascapes, towns and islands into a visual paradise. I have always
felt that this style of painting exemplifies the beauty that can be found in
the manipulation of light and color. The key is in the brush stroke. In all of the
pieces here, I attempt to imitate various brush strokes to convey the essence
of Impressionism.

For this post, I have separated the series into 3 parts i.e.
Beauty, Celebration and Ceremony. This being part 1, I am concentrating on the beauty of the
island and focusing on its natural habitat.

What do you think? Are you a lover of Impressionism? Do you
like this style of painting and if not what is your favorite? Who are some of
your most revered Masters when you think of Impressionism? Is it Cezanne, Van
Gogh, Matisse or a contemporary that you love? Please share your thoughts. And finally,
where have you vacationed that has been or could be a great work of
impressionistic art?


Into the Timeless Blue Memory

What do we see when we face ourselves

Standing in the
timeless blue memory

What
do we discover?

Childhood Dreams / A Better Tomorrow / The
Memories Behind You…

Magic and Lost

She is only relevant

to a moment

in time…

The past…and

the memories behind you…

thinking back

softly infused…with

the starlight in her eyes….

 

He is only relevant

to his story

in time…

To the thought of himself

narcissistic and unending

with the memories behind him…

painfully infused…with

the starlight in her eyes….

The journey has its moments, but it is the end that
is the important thing.

This post is dedicated to the men and women who
endure the timeless blue memory found in love.


Into the Blue Imagination

Into the blue imagination / A Self Portrait

After working for a few hours on the digital collage for this post
entitled “Into the Blue Imagination”, I finally embraced its finality. It took some
patience, experimentation and moments of trial and error so to speak, to feel
totally satisfied.  Immediately after the completion of the piece, and while meditating
on its content, I found myself asking the question, what exactly in the name of art have I produced?

Sometimes you find the meaning to a work of art that
you created only after it is completed. During the process of creating there is
a desire to control its outcome. We as artists, at times want to have it all so
neatly packaged. We like to think that our pre-determined concepts and their
fulfillment in the piece is what make it successful. However, we also realize
there can be beauty in the unknown and an exhilarating joy in discovering it.

In reference to the joy of discovering the unknown, and simultaneously feeling complete, let me make
this observation….

The last element incorporated into the piece is the
portrait of me. It is a photograph taken over a decade ago when I had
dreadlocks. I am also facing the portrait as the shadowy figure in black. I am observing myself. This
prompted the question, what do we discover when we face ourselves? What do we see?

I did not attempt to instill any answers to this
question in this particular piece. How could I? The piece as I stated was
complete. The question, “what do we discover when we face ourselves” and the
possible answer or answers will have to wait until another time.

In conclusion….

Sometimes that is all that art is; a question that begs an answer, or our imagination seeking clarity.

Like a work of art, are you sometimes complete, even though there are questions to be answered?


Post Canvas and Paint 02: in the lightness of being blue

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As an artist, I am sometimes feeling a little blue and uncertain about to which idea I need to explore. It is then that I find the process of creating which I use in my ongoing Post Canvas and Paint series liberating. That ambiguity found “in the lightness of being blue” is washed away amid the beauty of finding an intuitive way of moving from one image to another.

In this particular Post Canvas and Paint series, I start with numerous paused video images of works from my past installations and performances. They are photographed or captured digitally and remixed for this series.

The color blue dominates the vision and feeling of the series. It is the starting element that embodies each image. While the color blue sets the mood for this particular Post Canvas and Paint series, what is consistent throughout all of them is the organic and the patterned designs. As I have stated in previous writings (artist summary @ website: newdigitalscapes.com) on the methodology of the series, it is my intent to remain true to the digital process i.e. recognizing and imploring the intricate, microtonal possibilities inherent to the computer. I take this approach by allowing the computer to contribute its infinite source of geometric abstractions, digital glitches, visual drones, disintegrating loops of color and focus, underlying beats and rhythms, and tonal variations.

The most important thing I would like to achieve in this process is establishing a rhythm in my own inner intuition—feeling the next step and incorporating it into the another image. This is the objective of the series i.e. for each image to move effortlessly to the next….

It is adding while becoming, and finally, being no different from the previous as a whole.


In the Reflective Mirror / Various Artistic Influences 04: searching for moments of meaning in a catalogue of events

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When searching for meaning in a catalogue of artistic events,
does one art form influence another?

Looking back through my history of art exhibits, shows, and performances,
I wonder how these events have influenced my art to date.  In pondering this rather profound question, I
also must ask how the art of others have influenced my work as well. Can I be,
as well as my art, a product of both a historical and contemporary mindset of various
artistic disciplines? Does art from such masters as Salvador Dali, or Matisse
in painting, or Rodin in sculpture, or performance and visual art from my peers
Lili White, Constance Kocs, or Paul Curci respectively, and the post-modern dance / avant-garde operas of Pina Bausch compel
the creative spark as well as say a musical performance by jazz artist John
Coltrane or minimalist Steve Reich?

As an artist, I’ve always thought it was extremely important
to be both creative and observant.  Art
flows through the eyes of the artist, into the interpreting mind, through the reflective
soul and back into world.

I began drawing and painting at an early age while listening
to “Soul” music from such artists as The Temptations, Sam and Dave, Diana Ross and
Marvin Gaye.  But in 1970 at age 14 while
browsing through my older cousins’ record collection, I came across two visually
stunning album covers. They were Jimi Hendrix’s Band of Gypsies and Miles Davis’
Kind of Blue. I had never heard of these musicians, but the combination of the on
stage black background and their psychedelic shirts full of abstract color led
me to investigate. The music was incredible. It was provocative, edgy, exploratory,
and new. Here is a perfect example of how visual stimulation of one kind led to
the discovery of something completely new in the form of sound and improvisational
composition.

Yes, with our imagination, one art form can influence the
discovery of another and how it is translated into a new vision.

Over the years, as I moved from painting to digital art, I continued
to maintain a traditional approach to my art while simultaneously embracing and
supplementing it with all things contemporary. I would like to think that my
digital art can and does incorporate the movement of dance in its lines, the conceptualization
of operatic design in its production, the intricate sound and improvisation of minimalism,
and jazz in its syncopated patterns.  And color…lots of color, insight, intuition,
and emotion—full of warmth, that when observed closely can be found in the arts
of old and new.

What do you think? As an artist, musician, poet, dancer,
patron, blogger, or lover of creativity, does one form of art influence
another?

For me it is interesting that as I explore this new
expression called blogging, my subliminal intent is to somehow have art
influence how I blog and the tool of blogging become part of the process of
creating art.

In the meantime enjoy the slide show: In the Reflective
Mirror / Various Artistic Influences 04: searching for moments of meaning in a
catalogue of events.

  • Towards the Reflection of Art, Digital Artist,
    Walter Smith
  • 19 American Artists, Highwire Gallery, Berkgerk,
    Deventer 1990
  • Constance Kocs, Highwire Artist
  • Meredith Monk: 1987 Next Wave Festival, Brooklyn
    Academy of Music
  • Dance at BAM: Next Wave Festival , Digital Remix
    2011 Walter Smith
  • Pina Bausch’s Tanztheater Wuppertal, Gebirge: 1984 Next Wave Festival,
    Brooklyn Academy of Music
  • Pina Bausch’s Tanztheater Wuppertal, Arien: 1984 Next Wave Festival,
    Brooklyn Academy of Music
  • Philadelphia Artists Cooperative (Highwire
    Gallery) founded 1987
  • Sometimes in the Waking the Reality is More
    Pressing than the Dream, review, City Paper,
    2000
  • Pina Bausch, Steve Reich, Next Wave Festival,
    Brooklyn Academy of Music
  • Statements After the Arrest Under the Immorality
    Act, Wilma Theatre, Philadelphia, Pa
  • Louvre, Paris, France 1990
  • Lili White, Highwire Artist
  • Paul Curci, Highwire Artist, City Paper
    Publisher, Philadelphia, Pa
  • Steve Reich, minimalist composer
  • Miles Davis, jazz composer
  • Dance at BAM: Next Wave Festival , Digital Remix
    2011 Walter Smith
  • The Birth
    of the Poet
    : 1985 Next Wave Festival, Brooklyn Academy of Music, photo
    Beatriz Schiller,  Digital Remix 2011, Walter
    Smith
  • Billie Holiday & Dechen Shak-Dagsay
  • Stigmata, (Michael Davenport & George
    Wolstenholme) electronic music composers
  • Louis Armstrong, John Coltrane, Charlie Parker,
    jazz composers
  • Post Canvas and Paint Series 10.14.2010.8:07.a.m.
    Digital Artist, Walter Smith

The Pier and the Flower in Meditation

The Pier and Flower in Meditation

Above the shifting tides we stand upon the pier

This past week I have been seeing an image in my mind’s eye.
It is a beautiful, contemplative piece by artist and fellow blogger Leslee
Hare. The title of the work is Inner and Outer Tornadoes. I do recommend you
check out her blog and all of her posts. Needless to say, the atmospheric feeling
in the digital filtering of blue layers, along with her prose, were so
inspiring that it led me to this piece….

The Pier and the Flower in Meditation

I wanted to convey something that was similar to Leslee’s
piece. I wanted soft layering and an organic feeling, if not totally atmospheric.
But more importantly I wanted to reflect on the “cleansing” process that she
spoke of in reference to tornadoes. In my work, I see the pier as an opportunity
to step out into the unknown—above the waters of our fears and shifting emotional
tides.

What elemental forces or structural constructs give you
pause? What questions arise, what “pier” do you stand upon in meditation as you
face the reflection of your thoughts and emotions?


In the Reflective Mirror / Various Artistic Influences 03: why ask questions about art

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What do you expect from art? How does art feel when it is
found? Where do you find art? Can art be here but not there? Is art on the
street? Why is art beautiful? Is art beautiful only when seen? Does art answer philosophical
questions? Does your child make art knowingly? Is art around the corner from
where you live? Do you dine near art? Is art inside your home, but not on your
wall? Can art be lost? Does art have longevity and sustainability? Is art your
religion? Is point A to point B art? Is art in an industrial park or in a
trailer park or in the park? Is art mobile? Is art agile? Is art sensitive unto
itself? Is art fragile? Does art have emotions? Is art dead?

What is modern art? What is post-modern art? What is
impressionism? What is expressionism? What is conceptualism? Is art abstract?
Is art figurative? Is art delineated by isms? Is art an analog tape loop? Is
art a digital sequence? Is art a light reflected? Is art a moment in time? Is
art a movement in contrast? Is art a reality unknown? Can art be more than it appears? Is
art a collection of artists? Is art a contract? Can art be voided, misplaced or
oppressed? Does art need to be more? Does art save the day? Can art save when it
has failed? Will art survive when it is destroyed? Does art breathe? Will art breathe
in us? Is art under water, in the sky, in a mother’s womb, or found bathed in silence?
Does art give birth? Is art alive?

What do you think? Why ask questions about art?

In the meantime enjoy the slide show: In the Reflective
Mirror / Various Artistic Influences.

  • The Whipping Machine, Collective Enterprises
    Productions 1989, Painted Bride Art Center
  • The Whipping Machine, Michael Davenport, Walter
    Smith, Van Grimes 1989
  • The Whipping Machine, Painted Bride Art Center, 1989
    Philadelphia Pa.
  • Next Wave Festival, Brooklyn Academy of Music
  • Molissa Fenley and Dancers, Geologic Moments: Next
    Wave Festival 1986, original photo Marcus Leatherdale, digital remix Walter
    Smith
  • Critics Pick, Solo Exhibition, Computer Art, Villanova Art Gallery 2001, Walter Smith & First Friday,
    Walter Smith, Robert Wulbrecht, Marita Fitzpatrick
  • 2 Men 4 Walls 1 Month, Highwire Gallery 1991,
    Walter Smith & Mark Stolte
  • Eiko & Koma’s New Moon Stories: Next Wave
    Festival 1986, original photo Marcus Leatherdale, digital remix Walter Smith
  • Commodore Amiga Computer, Genesis of Computer Art 1985
  • Michael Clark and Company: Next Wave Festival
    1986, original photo Marcus Leatherdale
  • Ash Ra Tempel, The Gatherings Concert Series, St Mary’s Church,
    University of Pa.
  • Anna Teresa de Keersmaeker: Next Wave Festival
    1986, Brooklyn Academy of Music 1986
  • Scenes from CIVIL warS, Act v – the Rome
    section, by Robert Wilson and Philip Glass, original photo Peter Simon, digital
    remix Walter Smith
  • Steve Roach, Ambient Music, & Relache, Philadelphia Ensemble for Contemporary
    Music, 1987
  • John Cage: Next Wave Festival, Brooklyn Academy
    of Music 1986, photo Peter Hujar
  • Life and Stolen Innocence, Walter Smith, Highwire
    Gallery 1992, Philadelphia Pa
  • Philip Glass: Next Wave Festival, Brooklyn
    Academy of Music 1986, original photo Lynn Davis, digital remix Walter Smith
  • Robert Wilson: Next Wave Festival, Brooklyn
    Academy of Music 1986, original photo Peter Hujar, digital remix Walter Smith
  • Impossible Theater Social Amnesia: Next Wave
    Festival 1986, original photo by Erik Kvalsvik, digital remix Walter Smith
  • Merce Cunningham’s Summerspace  with scenery and costumes by Robert
    Rauschenberg, original photo by Jack Mitchell, digital remix Walter Smith
  • Post Canvas and Paint Series 10.13.2010.6:48.a.m.
    Digital Artist, Walter Smith

In the Reflective Mirror / Various Artistic Influences 02: Music Playlist

Post Canvas and Paint

10. 13. 2010 6:49 a.m. Post Canvas and Paint series

In continuing the theme of various artistic influences, I
need to first address the musical aspect of the reflective mirror of my
creative journey past and present.  These
posts are simple playlists of music from the past and present that have had
significant influence on my art. In doing these musical playlists and
reviews (some of the reviews are by music critics and fans of the artists), I
hope to introduce my readers to new and exciting music.

  • CD: Xerrox Vol. 2 – Alva Noto (Carsten Nicolai):
    released Dec 01 2008, Genre Electronic

Reproduction, alteration and decay are the main focuses of
Alva Noto’s Xerrox series: the music consists of samples altered by inserting
noise through several rounds of copying. The resulting tracks seem to atomizing be
before your ears, with an occasional effort to coalesce. Where Vol. 1 offered a
sequence of alternating short raw pieces and mid-length ambient tracks, Vol. 2
presents itself as a more even and almost continuous suite of pieces. Vol. 1
was subtitled “Old World”, this one is “To the New World”, but the meaning of
those subtitles remain obscure and might very well be restricted to the
geographical origins of the samples (provided this time around by Stephen O”Malley,
Michael Nyman and Ryuichi Sakamoto). You can either study the copying/decaying
processes used by Carsten Nicolai, or simply dive into this soundworld of
gritty textures, glitch pulses, and skeletal pieces whiteout melodies.

~ Francois Couture, Rovi

I find Alva Noto solo works, and his collaborations with
Ryuichi Sakamoto to be quite beautiful. The technical production quality is
incredibly intricate and well mastered. The music transports you to a world of
micro-tonal sound that envelops and loops itself almost to noise, while
sustaining the mood of silence and space.

Each post under this musical series is accompanied by an image
from my Post Canvas and Paint series. I feel that this particular style of
Electronic music, both the earlier analog space music and the present digital
IDM lends itself quite well to the style of work in the Post Canvas and Paint series.


Last Night a Dream and a Celebrated Life Deeply Loved.

A dream can be like a blooming rose touching all our senses.

Several nights, in the last two weeks, I have dreamt of loved ones whom have passed on. And still their love remains. My daughter and my mother came to me and shared their life energy and love with me. They brought moments that had been forgotten and weaved them with the essence of my own thoughts, perceptions, and desires. Dreams always seem to be about people, places and life’s moments intertwined. There are waves of reality, sometimes in a surrealistic manner, merging us with the floods of memories, emotions and deep aspirations. We at times never want to wake up, as we reach across the void to touch and hold on just a moment longer.

What does a dream mean to you? How does one interpret those dreams? These are questions that we have, on many occasions, asked ourselves. The American Heritage Dictionary defines a dream as; a series of images, ideas etc., occurring in certain stages of sleep.

There is always a deeply hidden, yet revealing message in a dream. The nature of a dream is its ambiguity. When we sleep with a dream, we see and feel the unknown, and when we wake, there is the longing for connectivity, revelation and a glimpse into the meaning of our lives.

This post is an invitation for you to describe what a dream means to you, or share a dream that has given you a sense of a life celebrated and deeply loved.


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