words and art by w a l t e r w s m i t h

Posts tagged “New Age

experiment: data complex 3 | nostalgia | video art

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The day on the beach brought back memories of beautiful times gone by: She the choreographer and dancer, and he the artist and filmmaker. Together they drifted back to the beginning of their artistic dreams. Fused with the technology of the post-modern world and the collective mindset of a creative construct, they forged ahead into the unknown: History has a way of repeating itself. What is old is new. The same as it ever was. Forever and a day.

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experiment: zen nature | landscapes for well being | video art

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My “Experiment” series continues with “Zen Nature | Landscapes for Well Being”, a celebration of the beauty of nature and Earth Day. A colorful collage of earth and space; bringing together the compassion of love, life, culture, and soulful melodies for meditation.

“When one tugs at a single thing in nature, he finds it attached to the rest of the world”. ~ John Muir

“We do not inherit the earth from our ancestors, we borrow it from our children”. ~ Native American Proverb


Music For Backgrounds 02: Jack DeJohnette -Peace time

A beautiful journey into a serene world of meditative bliss.¬†This is perfect music for your meditation, creative process¬†or yoga practice….

– Jack DeJohnette’s Peace time 1:02:08

Throughout late 2009 and most of 2010, Peace time was one of my most played albums. It simply is captivating….

http://youtu.be/zcmJgliXwqc

Jack DeJohnette (born 9 August 1942) is an American jazz drummer, pianist, and composer. He is one of the most influential jazz drummers of the 20th century, due to extensive work as leader and sideman for musicians like Miles Davis, Joe Henderson, Freddie Hubbard, Keith Jarrett and Sonny Rollins.

Biography

DeJohnette was born in Chicago, Illinois. Besides the drums, he also studied the piano. He first became known as a member of Charles Lloyd’s band, a group that pianist Keith Jarrett also was a part of at that time. He played with Bill Evans in 1968 on the acclaimed Bill Evans at the Montreux Jazz Festival, and from 1969 to 1972 played with Miles Davis. In the 1970s he recorded for Milestone/Prestige and ECM. He also appeared widely on ECM as a sideman. Since then he has recorded for MCA Records, Blue Note Records, and Kindred Rhythm.

DeJohnette has led several groups since the early-1970s, including Compost, a jazz-rock group that did two albums for Columbia with Bob Moses and Harold Vick; Directions (with John Abercrombie, Alex Foster, Warren Bernhardt, and Mike Richmond); New Directions (with Abercrombie, Lester Bowie, and Eddie Gomez); Gateway (with John Abercrombie and Dave Holland); and Special Edition (with David Murray, Chico Freeman, Arthur Blythe, Peter Warren, and others). Since the 1980s, he has been a member of what has become known as Keith Jarrett’s Standards Trio alongside Jarrett and Gary Peacock.

Since 2003, DeJohnette has been part of Trio Beyond with fellow musicians Larry Goldings (organ) and John Scofield (guitar). The trio was set up in tribute to The Tony Williams Lifetime trio led by Williams with Larry Young (organ) and John McLaughlin (guitar). He also currently appears as a member of the Bruce Hornsby Trio. In February, 2009, DeJohnette received the Grammy Award for Best New Age Album, Peace Time.

DeJohnette’s most current project as of 2010 is Jack DeJohnette Group, featuring Rudresh Mahanthappa on alto saxophone, David Fiuczynski on double-neck guitar, George Colligan on keyboards and piano, and long-time associate Jerome Harris on electric and acoustic bass guitars.

DeJohnette successfully incorporates elements of free jazz and world music, while maintaining the deep grooves of jazz and R&B drummers. His exceptional experience of time and style, combined with astounding improvisational ingenuity, make him one of the most highly regarded and in-demand drummers. He also occasionally appears on piano, on his own recordings.

In 2012, DeJohnette will be awarded an NEA Jazz Masters Fellowship for his “significant lifetime contributions have helped to enrich jazz and further the growth of the art form.”