words and art by w a l t e r w s m i t h

Posts tagged “Miles Davis

Music For Backgrounds 02: Jack DeJohnette -Peace time

A beautiful journey into a serene world of meditative bliss. This is perfect music for your meditation, creative process or yoga practice….

– Jack DeJohnette’s Peace time 1:02:08

Throughout late 2009 and most of 2010, Peace time was one of my most played albums. It simply is captivating….

http://youtu.be/zcmJgliXwqc

Jack DeJohnette (born 9 August 1942) is an American jazz drummer, pianist, and composer. He is one of the most influential jazz drummers of the 20th century, due to extensive work as leader and sideman for musicians like Miles Davis, Joe Henderson, Freddie Hubbard, Keith Jarrett and Sonny Rollins.

Biography

DeJohnette was born in Chicago, Illinois. Besides the drums, he also studied the piano. He first became known as a member of Charles Lloyd’s band, a group that pianist Keith Jarrett also was a part of at that time. He played with Bill Evans in 1968 on the acclaimed Bill Evans at the Montreux Jazz Festival, and from 1969 to 1972 played with Miles Davis. In the 1970s he recorded for Milestone/Prestige and ECM. He also appeared widely on ECM as a sideman. Since then he has recorded for MCA Records, Blue Note Records, and Kindred Rhythm.

DeJohnette has led several groups since the early-1970s, including Compost, a jazz-rock group that did two albums for Columbia with Bob Moses and Harold Vick; Directions (with John Abercrombie, Alex Foster, Warren Bernhardt, and Mike Richmond); New Directions (with Abercrombie, Lester Bowie, and Eddie Gomez); Gateway (with John Abercrombie and Dave Holland); and Special Edition (with David Murray, Chico Freeman, Arthur Blythe, Peter Warren, and others). Since the 1980s, he has been a member of what has become known as Keith Jarrett’s Standards Trio alongside Jarrett and Gary Peacock.

Since 2003, DeJohnette has been part of Trio Beyond with fellow musicians Larry Goldings (organ) and John Scofield (guitar). The trio was set up in tribute to The Tony Williams Lifetime trio led by Williams with Larry Young (organ) and John McLaughlin (guitar). He also currently appears as a member of the Bruce Hornsby Trio. In February, 2009, DeJohnette received the Grammy Award for Best New Age Album, Peace Time.

DeJohnette’s most current project as of 2010 is Jack DeJohnette Group, featuring Rudresh Mahanthappa on alto saxophone, David Fiuczynski on double-neck guitar, George Colligan on keyboards and piano, and long-time associate Jerome Harris on electric and acoustic bass guitars.

DeJohnette successfully incorporates elements of free jazz and world music, while maintaining the deep grooves of jazz and R&B drummers. His exceptional experience of time and style, combined with astounding improvisational ingenuity, make him one of the most highly regarded and in-demand drummers. He also occasionally appears on piano, on his own recordings.

In 2012, DeJohnette will be awarded an NEA Jazz Masters Fellowship for his “significant lifetime contributions have helped to enrich jazz and further the growth of the art form.”


30-Day Song Challenge: Day 13

30-Day Song Challenge: Day 13 asks the question what is “a song that is a guilty pleasure”?

http://youtu.be/xrPQKH9n0bk    Miles Davis – Live

Without a doubt a guilty pleasure is Miles Davis. I am not
sure what the guilty part of this represents Miles, however any excuse to add
him to this challenge is fine by me. What’s not to love about the Black Prince,
Miles Davis? Yes he has lived a controversial life (doing it his own way, and his
not so good relationships with women) but still he is the man who owns the
trumpet. And I do mean own the trumpet. Whether or not it was with his famous
bands of the 50’s or 60’s, both acoustic and electric, Miles was the leader
that changed Jazz forever. He brought together some of the most talented
musicians in the world, like Coltrane, Chick, Jack and Herbie to name a few, to
create a myriad of traditional and experimental compositions, that have stood
the test of time.

Miles remains to be one of my favorite musicians. He
has been a great influence on my musical taste, art and life style.

Enjoy the guilty pleasure….

Miles – Live 1971


In the Reflective Mirror / Various Artistic Influences 04: searching for moments of meaning in a catalogue of events

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When searching for meaning in a catalogue of artistic events,
does one art form influence another?

Looking back through my history of art exhibits, shows, and performances,
I wonder how these events have influenced my art to date.  In pondering this rather profound question, I
also must ask how the art of others have influenced my work as well. Can I be,
as well as my art, a product of both a historical and contemporary mindset of various
artistic disciplines? Does art from such masters as Salvador Dali, or Matisse
in painting, or Rodin in sculpture, or performance and visual art from my peers
Lili White, Constance Kocs, or Paul Curci respectively, and the post-modern dance / avant-garde operas of Pina Bausch compel
the creative spark as well as say a musical performance by jazz artist John
Coltrane or minimalist Steve Reich?

As an artist, I’ve always thought it was extremely important
to be both creative and observant.  Art
flows through the eyes of the artist, into the interpreting mind, through the reflective
soul and back into world.

I began drawing and painting at an early age while listening
to “Soul” music from such artists as The Temptations, Sam and Dave, Diana Ross and
Marvin Gaye.  But in 1970 at age 14 while
browsing through my older cousins’ record collection, I came across two visually
stunning album covers. They were Jimi Hendrix’s Band of Gypsies and Miles Davis’
Kind of Blue. I had never heard of these musicians, but the combination of the on
stage black background and their psychedelic shirts full of abstract color led
me to investigate. The music was incredible. It was provocative, edgy, exploratory,
and new. Here is a perfect example of how visual stimulation of one kind led to
the discovery of something completely new in the form of sound and improvisational
composition.

Yes, with our imagination, one art form can influence the
discovery of another and how it is translated into a new vision.

Over the years, as I moved from painting to digital art, I continued
to maintain a traditional approach to my art while simultaneously embracing and
supplementing it with all things contemporary. I would like to think that my
digital art can and does incorporate the movement of dance in its lines, the conceptualization
of operatic design in its production, the intricate sound and improvisation of minimalism,
and jazz in its syncopated patterns.  And color…lots of color, insight, intuition,
and emotion—full of warmth, that when observed closely can be found in the arts
of old and new.

What do you think? As an artist, musician, poet, dancer,
patron, blogger, or lover of creativity, does one form of art influence
another?

For me it is interesting that as I explore this new
expression called blogging, my subliminal intent is to somehow have art
influence how I blog and the tool of blogging become part of the process of
creating art.

In the meantime enjoy the slide show: In the Reflective
Mirror / Various Artistic Influences 04: searching for moments of meaning in a
catalogue of events.

  • Towards the Reflection of Art, Digital Artist,
    Walter Smith
  • 19 American Artists, Highwire Gallery, Berkgerk,
    Deventer 1990
  • Constance Kocs, Highwire Artist
  • Meredith Monk: 1987 Next Wave Festival, Brooklyn
    Academy of Music
  • Dance at BAM: Next Wave Festival , Digital Remix
    2011 Walter Smith
  • Pina Bausch’s Tanztheater Wuppertal, Gebirge: 1984 Next Wave Festival,
    Brooklyn Academy of Music
  • Pina Bausch’s Tanztheater Wuppertal, Arien: 1984 Next Wave Festival,
    Brooklyn Academy of Music
  • Philadelphia Artists Cooperative (Highwire
    Gallery) founded 1987
  • Sometimes in the Waking the Reality is More
    Pressing than the Dream, review, City Paper,
    2000
  • Pina Bausch, Steve Reich, Next Wave Festival,
    Brooklyn Academy of Music
  • Statements After the Arrest Under the Immorality
    Act, Wilma Theatre, Philadelphia, Pa
  • Louvre, Paris, France 1990
  • Lili White, Highwire Artist
  • Paul Curci, Highwire Artist, City Paper
    Publisher, Philadelphia, Pa
  • Steve Reich, minimalist composer
  • Miles Davis, jazz composer
  • Dance at BAM: Next Wave Festival , Digital Remix
    2011 Walter Smith
  • The Birth
    of the Poet
    : 1985 Next Wave Festival, Brooklyn Academy of Music, photo
    Beatriz Schiller,  Digital Remix 2011, Walter
    Smith
  • Billie Holiday & Dechen Shak-Dagsay
  • Stigmata, (Michael Davenport & George
    Wolstenholme) electronic music composers
  • Louis Armstrong, John Coltrane, Charlie Parker,
    jazz composers
  • Post Canvas and Paint Series 10.14.2010.8:07.a.m.
    Digital Artist, Walter Smith