Some moments with Highwire Gallery, the Philadelphia Artist Cooperative, John Cage in performance, Digital Voice, fellow artist and friend Paul Curci, and my solo digital exhibition “Sometimes In the Waking the Reality is More Pressing than the Dream.” at Villanova University Art Gallery. The years 1987 through 2001.
Below are links to the original posts that I am using for these variations, rewind and remixes.
I often start a new series. Never quite knowing their origins, or where they will lead me. Several series that I have developed, such as Post Canvas and Paint, Data Complexes, Variations, Rewind and Remixes are just that: Endless conceptual ideologies of ambiguities in form and structure, that for the most part, have emerged from past artistic influences. Every new work builds on something from the past: An exhibit here. A performance there. A poet’s word softly translated. An image seared in memory. Newly discovered places … deep dark places and beautiful heavens. And of course, there is the reflection in the mirror and memories behind everything. I enjoy working from my past. It seems at times to be all I know. So in this series of Variations, Rewind and Remixes, I will simply re-examine my catalog of artistic influences in a new way. Back in 2011, I created several posts under the title “In the Reflective Mirror | Various Artistic Influences”, and asked the question … When searching for meaning in a catalogue of artistic events, does one art form influence another? And I can say, that in both a direct and subliminal manner, that it does indeed influence the way I see and create art.
Below are links to several of those earlier posts.
Lately, I have been feeling rather nostalgic and reflective.
The essence of being an artist, or just human, I presume. Because of this there
certainly has been a sense of longing for things past, their presence
resounding in the influence of various people, periods in time, and artistic
Presently, while writing this post, I am listening to a 10
hour playlist I created of four unique ambient sound artists: Chihei
Hatakeyama, Alva Noto, Sawako, and Ryuichi Sakamoto, all of whom weave found
organic sound samples and electronics to produce dreamlike soundscapes. I
mention these artists because they are currently what I find compelling in new music.
I will share excerpts from reviews about
their music in future posts. This brings to mind that half a lifetime ago in
the year 1977, while driving from NYC to Philadelphia at 4am, I came across the
WXPN’s (University of PA) Starsend electronic music program. Listening to the
surreal sounds of Tangerine Dream and Klaus Schultz was the start of many
journeys into experimental music and avant-garde arts in general.
All of this became a reflective thought and ideas for
posting this past week when I saw the film “Smithereens” by Susan Seidelman. I
have not seen this film in years. I remember first seeing it in the early 80’s
when it was first released in NYC. I was excited about coming across the film, and the opportunity of stepping back in time.
But I have been thinking about other influences of the past
as well. How perhaps music, film, festivals, theatre, family, friends travel, exhibits
and art etc., have conceptually developed the artistic vision I have. I hope to explore this phenomenon in future
posts as well. For this posting, I am including a work of art from 1997. It is
one of my all time favorite collages. It is a large 42 x 48 inch composition
depicting the remaining memories of family reunions, during Fourth of July
picnics at the park and in Glenside, PA in the 1960’s. The title of the piece
is “The Park” and my first major showing of the work was in NYC at Agora Gallery
in Soho in 1997.
So I would like to introduce you, my blog buddies and
readers to “In the Reflective Mirror / Various Artistic Influences.
Let me know what you think of the various postings, and
include your creative influences that stand out and reflect your life’s
And up next a musical playlist….