I thought that since this challenge was about things that are colorful, I would revisit some early digital work. Most of my early work were digital drawings using DigiPaint software. All of the work from this period could be seen as highly colorful and opague in its composition. This piece entitled “To be Wrong I could be Right” is the very first digital drawing I ever did. It was created in 1985.
Latest
Body Sequence of ‘Go Out and See’ 02 / Caving into the absolute darkness
An unearthed prehistoric stonewall some six feet high, built of rocks of
various sizes, is evidence that the cave was likely inhabited by aboriginal
people. It is unknown when the first settler entered Morril’s Cave, although it
has been written that settlers surely would have encountered the cave by the
beginning of the 1800’s. Nothing is known of the cave until it became the
property of Elias S. Worley. Locally, the cavern is often still referred to as
Worley Cave. A large amount of saltpeter was mined from the cave early in the
Civil War. A mill was operated in the early 1900’s where the stream exits at
the lower entrance of the cave. It was said that the stream’s volume was
“sufficient, even in severest drought, to turn the undershot wheel of a
large mill.”
Our journey begins on a very hot day, where the temperature outside the
cave is in the mid 90’s, however, inside the cave the temperature will stay all
year round at about 57 degrees. One of the first things we discover as we
proceed further into the cave are the beautiful rock formations and the
cloudburst that greets us as the contrasting air molecules meet and merge. There
are moments of intrepidity and excitement as we approach the day’s first big
challenge i.e. the 30 foot crawl between two rock formations. Not everyone was
willing to do it, however I jumped at the opportunity—or should I say crawled.
I love a physical challenge and the cave provided many opportunties. During the
course of our 3.5 hour journey we crawled, tunneled, climbed, waded through
water, descended and ascended nearly 180 feet while hiking 1.5 miles. We also
sat in absolute darkness. Sitting in absolute darkness with only the slight
sound of water drops was fascinating. It was quite the meditative moment. Our guide
informed us, that if you remained in this kind of darkness for 72 hours you
would become completely disoriented. After being in this kind of sensory
deprived environment for such a long time one would soon begin to hallucinate.
However, I must say that if you are a practitioner of meditation this is the
perfect setting for deep contemplation.
It was an enjoyable day for all of us on the tour. And if you are
physically able and daring, I highly recommend you try this. What do you think?
Does this sound like something you would do? Are there other challenges or
activities that you would like to conquer?
Our natural resources can provide the excitement and challenges that can
sustain the mind, body and Spirit. Go Out and See.
Opening Sequence of ‘Go Out and See’ 02 / Caving Into the Absolute Darkness
Morril’s Cave (Worley’s Cave) is a class II natural-scientific state natural area located in Sullivan County Tennessee. It has more than 37,000 feet of mapped passages. Morril’s Cave is commonly called Worley’s Cave locally and is known for its voluminous size with rooms more than 75 feet wide and 250 feet long with high ceilings that often exceed 100 feet. It is known for its beautiful formations within its eight to ten miles of passages. The lower level of the cave contains a perennial creek filled complete with various fish, white crayfish, and salamanders.
Earth and River Adventures located in Boone, North Carolina provided us with an excellent guide named Andy. Here he is at the beginning of our journey giving instructions on safety and caving etiquette.
A moment of contemplation for me, as our group of six participants prepare for the journey into absolute darkness.
Up next in the following post the trek begins….
Art for Summer Vacations
Art for Summer Vacations
It is that time of the year when we vacation or if we have
the opportunity we “Get Out and See”. Summer
is here, and the temperature is rising. We search for that place to cool our
days and excite our senses. If we are lucky we travel to far off places and
discover ourselves anew while basking in the view of a beautiful sunrise or
sunset. We spend our afternoons lazily browsing small vintage shops, historical
sites, museums, gardens of beauty and restaurants of epicurean delights. I have
not travelled much abroad, but I am grateful to have visited both The
Netherlands and France during my 1990 group art exhibition in Deventer Holland.
These locales are wonderful places indeed, and I will never forget the
hospitality and kindness that I received throughout my journey. It is the
people that make a journey abroad so special.
Here in the states, I often carve out a weekend adventure
here or there. I enjoy outdoor activities that test my physical being, and challenge
my sense of adventure. I also like to seek out places that provide emotional
recovery through meditative contemplation and recollection. This is vital for restoration.
I feel a great vacation should always provide moments of excitement and serenity….
What do you think? Where are some of your favorite places to
vacation? What do you seek out most when planning a vacation? Is it to find
adventure or is it to just relax? Do you prefer travels abroad or weekends
close to home? Please share your thoughts.
The art work that I have included in this post, are expressions
of the theme I call “Art for Summer Vacations”. The first piece “Vacation / a
journey without moving” is a collage of photographs I took as I travelled to the
city of Amsterdam, the town of Deventer (both in The Netherlands), the shores
of Cape Cod and Nantucket, and the mountains of North Carolina. The second
image entitled “Summer and its Warm Embrace” is a journey through mountains,
lakes and trails in NC, SC and TN during
personal hikes and an artist residency provided by the South Carolina State
Parks.
The Fun House @ Highwire Gallery: 1991 / Dreaming in Future Tense / a 2011 remix
“Sometimes we turn the pages in the Book of Memories and come to remember the children who dream in future tense”…..
The Highwire Gallery production of The Fun House
workshop began in March 1991 at the Sayre Morris Community Center in West
Philadelphia and concluded with a performance in May. Funded by the PA Council
on the Arts, the goal was to bring together a group of children and introduce
them to the arts. Our focus would be on dance, performance, music and the visual
arts. Another important part of the workshop was for it to be a community
service, which merged different ethnic backgrounds and communities. For the
eleven girls who participated in the workshop, the hope was to inspire personal
challenges and the pursuit of their dreams. Everyone involved, the artists of
Highwire Gallery, the kids, Empress our musical director, Sandra Lynn our choreographer,
and “DADA” (Dancers Against Drug Abuse) met the challenge and worked hard to
make the program a huge success.
How do we encourage our children to dream, a dream that
inspires, enriches and motivates them to reach for the sky, and to touch just one of the millions of snowflakes that
can be found in the realm of possibilities? How do we lead them by the hand,
through the garden of hopes and dreams?
I think we do it one child at a time, one school at a time, one
project at a time, and as one community. Children love to discover, and be creative.
I strongly believe that the arts will provide them with the tools they will need for exploring their
imagination and giving birth to their dreams.
What do you feel is our children’s greatest need? What resources in our society would you like to see be provided for the well being and growth of our children? Do you believe that the arts, especially at a young age, is a vital tool for encouraging creative thinking and problem solving?
What do you think?
Select the link below for a dream-like journey into a contemporary child’s lullaby.
Winter Poem by Nikki Giovanni
once a snowflake fell
on my brow and i loved
it so much and i kissed
it and it was happy and called its cousins
and brothers and a web
of snow engulfed me then
i reached to love them all
and i squeezed them and they became
a spring rain and i stood perfectly
still and was a flower
— Author and poet Nikki Giovanni
From “The Selected Poems of Nikki Giovanni”
And last but not least in this journey of dreams…a short animation.
30-Day Song Challenge: Day 15
30-Day Song Challenge: Day 15 asks the question what is “a song that best describes you”?
http://youtu.be/Fh0AaTOfkIc Alva Noto & Ryuichi Sakamoto – Moon
A bonus song that reinforces the theme as well…
http://youtu.be/OJORJFSWE1I Alva Noto & Ryuichi Sakamoto – Berlin
I have been listening for some time to the musical duo of Alva Noto and Ryuichi
Sakamoto. This collaboration has produced many ingenious works. Here are two entitled
“Moon” and “Berlin”. I think these songs best describes me because of their contrast
between the beautiful, seductive, melodies produced by pianist Sakamoto and the
pulsating beats and glitch from sound designer Noto. The sounds they produce seem at odds with
each other, however they are not. They are distinctly different but combined in such a way that it is
pure pleasure. I would like to think that this contrast is symbolic of how I
create art i.e. I am always searching for various source materials to bring together in a compelling work of art.















