The Pier and the Flower in Meditation
Above the shifting tides we stand upon the pier
This past week I have been seeing an image in my mind’s eye.
It is a beautiful, contemplative piece by artist and fellow blogger Leslee
Hare. The title of the work is Inner and Outer Tornadoes. I do recommend you
check out her blog and all of her posts. Needless to say, the atmospheric feeling
in the digital filtering of blue layers, along with her prose, were so
inspiring that it led me to this piece….
The Pier and the Flower in Meditation
I wanted to convey something that was similar to Leslee’s
piece. I wanted soft layering and an organic feeling, if not totally atmospheric.
But more importantly I wanted to reflect on the “cleansing” process that she
spoke of in reference to tornadoes. In my work, I see the pier as an opportunity
to step out into the unknown—above the waters of our fears and shifting emotional
tides.
What elemental forces or structural constructs give you
pause? What questions arise, what “pier” do you stand upon in meditation as you
face the reflection of your thoughts and emotions?
The Conscious Light that Illuminates the Darkness of the Mind
Sunrise and the pier 2009
Waking up early during the summer of 2009, there was a
pervading need to see the sunrise. It was still dark, as the consciousness in
waking slowly came into being. In anticipation of a beautiful moment in time, I
found myself rushing to meet the light. Standing upon the pier, I witnessed the
beginning of a new day.
The mind has an opportunity to wake to a new consciousness
as well. Every day the mind finds itself surrounded in thinking and perpetual
thought. As I stood on the edge of the pier, watching the darkness fade away, I
was reminded of the beauty that is the Light that takes away all darkness. In
that moment, my mind felt the Light of Awareness as it responded to the ever
approaching rays of sunshine.
I stood quietly in a meditative state.
Sunrise and meditation 2009
Ever increasing awareness is obtained as the illumination in
the power of light over shadows the darkness of the mind.
Do you find moments in nature that like a sunrise brings a
greater sense of awareness? Does it provide a greater feeling of peace with
oneself and of knowing who you really are? Many of the great gurus of our time
have taught how important it is to find the path to greater self awareness and
knowing….
“Through the mind and intellect, consciousness is divided
into I and other. I am on one side, and
the world is on the other. Light is on this side and the other side is dark”.
The Direct Experience of Truth
From the Discourses of Swami Parmanandji Maharaj
Final meditation 2009
In the Reflective Mirror / Various Artistic Influences 02: Music Playlist
10. 13. 2010 6:49 a.m. Post Canvas and Paint series
In continuing the theme of various artistic influences, I
need to first address the musical aspect of the reflective mirror of my
creative journey past and present. These
posts are simple playlists of music from the past and present that have had
significant influence on my art. In doing these musical playlists and
reviews (some of the reviews are by music critics and fans of the artists), I
hope to introduce my readers to new and exciting music.
- CD: Xerrox Vol. 2 – Alva Noto (Carsten Nicolai):
released Dec 01 2008, Genre Electronic
Reproduction, alteration and decay are the main focuses of
Alva Noto’s Xerrox series: the music consists of samples altered by inserting
noise through several rounds of copying. The resulting tracks seem to atomizing be
before your ears, with an occasional effort to coalesce. Where Vol. 1 offered a
sequence of alternating short raw pieces and mid-length ambient tracks, Vol. 2
presents itself as a more even and almost continuous suite of pieces. Vol. 1
was subtitled “Old World”, this one is “To the New World”, but the meaning of
those subtitles remain obscure and might very well be restricted to the
geographical origins of the samples (provided this time around by Stephen O”Malley,
Michael Nyman and Ryuichi Sakamoto). You can either study the copying/decaying
processes used by Carsten Nicolai, or simply dive into this soundworld of
gritty textures, glitch pulses, and skeletal pieces whiteout melodies.
~ Francois Couture, Rovi
I find Alva Noto solo works, and his collaborations with
Ryuichi Sakamoto to be quite beautiful. The technical production quality is
incredibly intricate and well mastered. The music transports you to a world of
micro-tonal sound that envelops and loops itself almost to noise, while
sustaining the mood of silence and space.
Each post under this musical series is accompanied by an image
from my Post Canvas and Paint series. I feel that this particular style of
Electronic music, both the earlier analog space music and the present digital
IDM lends itself quite well to the style of work in the Post Canvas and Paint series.
In the Reflective Mirror / Various Artistic Influences 01: The Park
The Park 1997
Lately, I have been feeling rather nostalgic and reflective.
The essence of being an artist, or just human, I presume. Because of this there
certainly has been a sense of longing for things past, their presence
resounding in the influence of various people, periods in time, and artistic
disciplines.
Presently, while writing this post, I am listening to a 10
hour playlist I created of four unique ambient sound artists: Chihei
Hatakeyama, Alva Noto, Sawako, and Ryuichi Sakamoto, all of whom weave found
organic sound samples and electronics to produce dreamlike soundscapes. I
mention these artists because they are currently what I find compelling in new music.
I will share excerpts from reviews about
their music in future posts. This brings to mind that half a lifetime ago in
the year 1977, while driving from NYC to Philadelphia at 4am, I came across the
WXPN’s (University of PA) Starsend electronic music program. Listening to the
surreal sounds of Tangerine Dream and Klaus Schultz was the start of many
journeys into experimental music and avant-garde arts in general.
All of this became a reflective thought and ideas for
posting this past week when I saw the film “Smithereens” by Susan Seidelman. I
have not seen this film in years. I remember first seeing it in the early 80’s
when it was first released in NYC. I was excited about coming across the film, and the opportunity of stepping back in time.
But I have been thinking about other influences of the past
as well. How perhaps music, film, festivals, theatre, family, friends travel, exhibits
and art etc., have conceptually developed the artistic vision I have. I hope to explore this phenomenon in future
posts as well. For this posting, I am including a work of art from 1997. It is
one of my all time favorite collages. It is a large 42 x 48 inch composition
depicting the remaining memories of family reunions, during Fourth of July
picnics at the park and in Glenside, PA in the 1960’s. The title of the piece
is “The Park” and my first major showing of the work was in NYC at Agora Gallery
in Soho in 1997.
So I would like to introduce you, my blog buddies and
readers to “In the Reflective Mirror / Various Artistic Influences.
Let me know what you think of the various postings, and
include your creative influences that stand out and reflect your life’s
history.
And up next a musical playlist….
Go Out and See
There is so much beauty that surrounds us. It is a beauty
that can bring us joy when we take the time to “Go Out and See”. This past week, I had the pleasure of being
part of a beautiful day and a challenging bike ride. It provided an opportunity
to see the lovely landscape of farms, rivers and mountains that form parts of
western Haywood County, North Carolina.
It is that time of year when the leaves are coming back as the green
foliage slowly progresses up the mountainside. Winter is being left behind and the
memory of the cold distant mountain is replaced by soft layers of life and
biological growth.
Our journey begins at the town of Crabtree, where we head
west on Riverside Road. Here we bike for several miles next to the Pigeon River
until we reach the town of Riverside. It is here that we start our first
serious mountain ascent. It is approximately 1.5 miles of winding switchback
climbs. Our fast and perilous descent takes us to the town of Panther Creek,
where we begin the long sweeping terrain of hills and straights. Halfway
through our journey we merge onto Fines Creek Rd. In the town of Fines Creek is
the only gas station in more than 15 miles in any direction. We fuel up on
nuts, fluids and protein, and encourage each other for the mammoth climb to come.
One man, who is fueling his tractor,
asks us are we going up the mountain, in which we reply…yep that’s the plan. He
smiles and laughs and says “good luck”. He obviously knows something about the
mountain we don’t. But we know it is a 1.5 mile climb with a 5% gradient. It is
straight up with one or two slight curves. It is intimidating. We start the
climb and there are times when I look up and all I can see is the road horizon
in the sky. There are times when I want to stop, my will in question, my legs
in pain, but realize how difficult it would be to start uphill without momentum.
The descent at speeds nearing 40 mph is
a test of skill and nerve to say the least, but liberating. For nearly 2 miles,
one can only hold on aerodynamically and hope that no unforeseen problems
arise. Finally, after 18 miles, our return to Crabtree is a quick flowing pace
that allows for some reprieve and scenic viewing.
After the bike ride, the best part of the day is the drive
afterwards. We retrace our journey via the car and take photographs. Eighteen of
two hundred have been digitally retouched and included in the slideshow.
So what do we gain when we “Go Out and See”? For me, there
is the liberating feeling of joy that can stay with you a lifetime. There is also the possibility of discovering things
once unknown in my surroundings and in my soul.
What motivates you to take time out of your busy schedule to
“Get Out and See”? What would you like to discover in nature or local history? What
would it mean, and how would it enrich your life?
Take a moment and think about the last time you made the
extra effort to get out and discover. Let me know what you found.
A Mysterious Thing … The Photograph of a Place in Time
Biking around Lake Junaluska, Maggie Valley, North Carolina
It was a golden morning and a beautiful start to the day. It was a Monday and there was a
chill in the air as the cold wind made its way down the mountain and across the
lake. I’ve always been mesmerized by beautiful seascapes and landscapes—where
water, mountain and sky meet. Drawn to their spiritual vastness, I sometimes
find (if it’s a good day) revelation and beauty, hidden…deep inside the
soul. When transfixed by such a mysterious place—we question its magnitude.
In-turn, we can at times find our very own inadequacies. We come to know our fears and our doubts. Usually
if I attempt to elevate myself, with pride—by thinking: I can do this…or I can do that—whatever the
thoughts may be, I then know I am no longer centered.
It is a golden morning and a beautiful start to the day. It is early April 2011 and spring is
on its way. There is anticipation and a longing for the discovery of beauty and
the Self in recollection. I am still mesmerized by beautiful seascapes and
landscapes—where water, mountain and sky meet. There is a planetary energy, a
Consciousness that lifts my Spirit. Transfixed I find it is a mysterious thing—the
photograph of a place in time. I remember the beauty of the moment and my
present fears and doubts are washed away. I will elevate myself today, with joy—by
thinking: I can do this…and I can do that—whatever the dreams may be.
It is April and it is spring and all the growth of my soul and Spirit is before me.
If you have a photograph of a place in time that transcends your life experience, embrace it and share it with others.
Namaste
Last Night a Dream and a Celebrated Life Deeply Loved.
A dream can be like a blooming rose touching all our senses.
Several nights, in the last two weeks, I have dreamt of loved ones whom have passed on. And still their love remains. My daughter and my mother came to me and shared their life energy and love with me. They brought moments that had been forgotten and weaved them with the essence of my own thoughts, perceptions, and desires. Dreams always seem to be about people, places and life’s moments intertwined. There are waves of reality, sometimes in a surrealistic manner, merging us with the floods of memories, emotions and deep aspirations. We at times never want to wake up, as we reach across the void to touch and hold on just a moment longer.
What does a dream mean to you? How does one interpret those dreams? These are questions that we have, on many occasions, asked ourselves. The American Heritage Dictionary defines a dream as; a series of images, ideas etc., occurring in certain stages of sleep.
There is always a deeply hidden, yet revealing message in a dream. The nature of a dream is its ambiguity. When we sleep with a dream, we see and feel the unknown, and when we wake, there is the longing for connectivity, revelation and a glimpse into the meaning of our lives.
This post is an invitation for you to describe what a dream means to you, or share a dream that has given you a sense of a life celebrated and deeply loved.
In Celebration of a Life Deeply Loved 02
An excited young "Lady" looking forward and enjoying life
In Celebration of a Life Deeply Loved 02
“I’m Free”
Don’t grieve for me, for now I’m free. I’m following the path God laid out for me. I took His hand when I heard him call. I turned my back and left it all. I could not stay another day, to laugh, to love, to work or play. Tasks left undone must stay that way. I found that peace at the close of the day. If my parting has left a void, then fill it with remembered joy. A friendship shared, a laugh, a kiss. Ah yes, these things I too will miss. Be not burdened with times of sorrow, I wish you the sunshine of tomorrow. My life’s been full, I savored much; Good friends, good times, a loved one’s touch. Perhaps my time seemed all too brief. Don’t lengthen it now with undue grief. Lift up your heart and share with me. God wanted me now, He set me Free!
In Celebration of a Life Deeply Loved 01
Dionanna Lady McFadden-Smith
In Celebration of a Life Deeply Loved 01
A Rose
A long slender Rose represents my life
The Rose is sensitive, elegant, delicate…
But Vicious
Harsh to the touch
Manipulating…Deceiving
She makes you want to touch but
You may not touch
Sharp thorns protect her
The Rose is peace, love, beauty
Her red petals speak of love,
Passion, deep down feelings
The Rose needs care
Lots of care
Water, water…constantly
Soil…Rich soil nurtures her mind
Makes her beautiful
The ground is her home
Hard, solid, tough
Nature is her world
By
Lady McFadden
February 10th 1992
At the Summit, the Tree of Life Love Art and Faith
The Blue Ridge Mountains at the Summit of Waterrock Knob
At the Summit, the Tree of Life Love Art and Faith
“Just as the sun shines equally on the cedar and the little flower, so the Divine Sun shines equally on everyone, great and small”.
“Love can accomplish all things. Things that are most impossible become easy where love is at work”.
“Faith and hope give way to love; we had found already the One we were seeking”.
Quotations from:
Sermon in a Sentence: A Treasury of Quotations on the Spiritual Life
ST. THERESE OF LISIEUX
Trees have always presented themselves as being unique and mysterious to me. When I began drawing years ago the most interesting structure in a landscape was the tree. There are so many forms in the roots, trunks, and branches that can create beautiful art and design. As an abstract and surrealist artist, trees seemed to embody a great mystery. And for me, sitting under a tree provides a place of rest, visions for creative thought, and spiritual recollection.
Walter W. Smith
Faith and Choice that Move Mountains
Faith and Choice that Moves Mountains
When it comes to faith as a guiding light, and planting a seed, it is true that the smallest of gestures can produce a life altering experience. At the heart of these moments in life—there is a decision. It is a decision born almost overwhelmingly, of fear, doubt and hope. In these overwhelming moments we can be distracted by our emotions, by our circumstances. And find that there is beauty in madness and in faith, and sometimes they exist in us simultaneously.
I can remember looking back at the moments in my life wherein decisions had to be made that would change my life dramatically. Those moments were so intense that only faith or fear could move me—could move the mountains in front of me. In one instance, I remember looking up to the sky, on a cold Wisconsin night, knowing that speaking, declaring, just a few words would concretely change the course of my life for years to come.
And I spoke those few words….
And in days my life changed….
Was I acting on faith or fear? Do we really understand the mysteries of our decisions? Are they our own? And what is the value of the question, will I regret this moment this decision? As life goes on, it all becomes the past. Looking back, into that past for answers to the present is ultimately meaningless. Life is only the present moment with many paths leading to it. Yes we can learn from the past, but ultimately, it cannot change this present moment, this opportunity for awareness, nor to move forward in faith. Each present moment has its own decision, its distinct opportunity to exhibit faith and trust in the mystery of life.
We do “move mountains” with faith, with the words we speak, with our alignment with Source.
And we also “move mountains” with self reliance, accountability and knowledge…
Choice.
That decision that day did change my life for years to come. And at times, I still question did I do the right thing. But as the years have come and gone, I’ve learned to train my mind, to live closer to this present moment and the life, that decision, in part has given me.
Transcending the Ambiguities of the Heart (at sea remix 2011)
Transcending the Ambiguities of the Heart (at sea remix 2011)
Transcending the Ambiguities of the Heart
Prologue from Miles Ahead / Everything But the Girl / From Life and Stolen Innocence by Walter Smith
“Life on the oceans of the world is sustained by the luck of the draw—same as on land. At times it is called, (in recent history) the ‘American Dream’—the need to discover, possess and to be miles ahead. We find ourselves by looking beyond the impending realization, (everything but the girl) —reaching for it with fervent desperation. At other times it’s a sighting too late and the course not taken. Drifting for what seems like the duration of timelessness on the empty sea of lost love. For centuries man has sailed the seven seas and oceans of the world—in search of…”
He paused, smiled and then continued, “A couple of good stories to tell a young seafarer.”
Maybe Tomorrow a Similar Question a Different Answer 04
The Backyard in Meditation 04 2011 remix
Hi Liz
I woke up today, far away, in The Backyard of Meditation…
Thinking and Imagining…
Art.
Major effects for The Backyard in Meditation 04: Multiple layers, Displacement Map @ 48 % blur, Displacement Properties @ 2D offsets, intensity 24.00, and edge mode: wrap. Artistic Effect: Chrome @ 4 % flaw, and 50 % brightness.
The Backyard in Meditation 2004 Digital Collage / Multiple layers and photographs a urban / nature transformation
Maybe Tomorrow a Similar Question a Different Answer 03
The Backyard in Meditation 03 2011 remix
Hi Liz
The question is the method in which one creates art… Sometimes in the waking I have a kinetic dream… I love the mystery of art, and find the meaning in the process of creating.
A series of posts in fragments explore the possibilities. And as John Cage the avant-garde artist and composer would see it; art by random chance—whatever the computer dictates.
A series of effects upon the landscape the Backyard in Meditation 03, a soft focus and a repeating of the displacement map—finding oneself, losing oneself—melting into the process.
Abstract Art and Surrealism are early influences: Jackson Pollack and Salvador Dali fuel the fire and stroke the process.
The meaning, the how, and the essence is in the process.
Major effects for The Backyard in Meditation 03: Multiple layers, Displacement Map Repeat (3) @ 48 % blur, Displacement Properties @ 2D offsets, intensity 24.00, and edge mode: wrap. Soft Focus @ 90 % softness, 100 @ edge importance (Focus), 80 % amount, 50% halo size, 90% halo visibility (Halo). Edge Effect, Erode.
Maybe Tomorrow a Similar Question a Different Answer 02
The Backyard in Meditation 02 2011 remix
Hi Liz,
You asked about the process of creating my work. That question is perhaps leading me to think about this as a series of posts that in fragments will convey the answers visually and instructional. So with that in mind, here is a collection of answers highlighted in large type. I have a large inventory of images from over the years. And as I have said on my website, the computer allows for what seems like infinite possibilities of creative choice and energy. I have certain steps that are basic such as photo correction (done first and throughout the image manipulation). I then create a series of effects, which are based on the photo style itself (portrait, landscape, abstract, etc) and in which direction I want the image to go (sharp or soft, but always rich in color and form). I love to layer my images when creating large conceptual pieces. However for the posts I am usually looking at more simplistic imaging to correspond with the immediacy of the posting. I find this to be like “sketching”. Sometimes I can complete an image for a post in 30 minutes or less. The internet and social networking provides a new art medium in-of-itself. It can dictate how an artist approaches his own work. It also forms a new way of communicating with large exposure. In the past the concentration was on gallery exhibitions, and producing hard copies, (prints) etc. But now, I can also hope to find various internet vehicles to promote, and to create, new visual processes for the future.
Major effects for The Backyard in Meditation 02: Multiple layers, Glowing Edges @ 3% intensity, 20% sharpness.
Maybe Tomorrow a Similar Question a Different Answer 01
The Backyard in Meditation 01 detail 2011 remix
Hi Liz,
Thank you for the wonderful comments on the series entitled “Biking to a Place Inside and Out”. In this four part series entitled “Maybe Tomorrow a Similar Question a Different Answer, I will be using the element of repetition (the heart of my work is in repetition) both in prose and image to answer the question… How do I create my art? For this series the piece I will be reconstructing is a detail from the 2004 collage “The Backyard in Meditation”. My goal is not to convey a step-by-step explanation of the process, but to hint at the intuitiveness that is inherent to the process.
First, I have a large collection of photographs and remixed images that I can use. I have been creating digital art since 1985. I always start a piece with photo correction techniques before creating effects. Depending on the image (portrait, landscape, abstract) determines where I want to go in relation to effects (soft, sharp organic, geometric, opaque, transparent etc). I always let the computer contribute its own “ideas” as well. It is important to note that for my posts, I usually utilize a single frame image and not a multi-layered, multi photo, image that I produce for my more conceptual collages. The images for the posts are similar to “sketches” which are quickly created… unless it is a previous image already found in my portfolio. One of the things that I am discovering in this process is the immediacy of the internet and social networking i.e. YouTube, Facebook, blogging etc. I want these various internet mediums themselves to become the vehicle for art, individual and collectively. That is why blogging is exciting. It provides a challenge to produce regularly and also provides tools for creativity and a diverse audience. I recently thought of the idea of creating an avatar of me, as an artist, and a real-time internet gallery space to create work in and interact with visitors who come to the gallery.
Major imaging effect for The Backyard in Meditation 01: Multiple layers, Displacement Map @ 48 % blur, Displacement Properties @ 2D offsets, intensity 24.00, and edge mode: wrap.
Biking to a Place Inside and Out / 06
Sometimes on the bike the reality of life and the beautiful dream become one
I am very fortunate that were I live, I can immediately access miles of rural back roads to immerse myself on my road bike. I spoke earlier about the sense of transformation that is achieved while biking. Here on these winding roads and gently sloping hills, I pass by farm lands, historic areas, woods and beautiful estates. What enhances a great ride is the right music. There is a distinct difference in the selection of music for road and mountain. On the road there is a need to be able to hear your surroundings for safety measures. Hence, my selection is always, soft, slow dancing ambient. My favorite band for a ride is the neo-classical ambient band from Austin Texas, Stars of the Lid. In fact, this has been the most prolific band for me in the past two years. This is aural mastery of the highest order. In contrast, when mountain biking, there really is no need to be conscious of your surroundings. Now your music can flow anyway you like. For the mountain, I prefer long flowing electronic sounds from bands like AES Dana, Bombay Dub Orchestra and Near the Parenthesis, or French Pop artists like Etienne Daho, France Gall, Charlotte Gainsbourg, and Alizee to name a few. It is here on the mountain when you need that extra aural drive to push your rhythm to its fullest—to make that climb.
Music plays a significant part in creating the aural soundscape in which to find transformation in physical movement
Biking to a Place Inside and Out / 04
Road biking at high elevation on the Blue Ridge Parkway, North Carolina
But here in the South biking takes on a whole new dimension. It explodes with energy and beauty. Both road biking and mountain biking provide a means to an enriching and trans-formative end. This post entitled “Biking to a Place Inside and Out” includes a gallery of images that records visually that magnificent end. And it is an attempt to express the color, beauty, emotional, and physical essence of biking. It is difficult to say what I enjoy most–road or mountain biking. They both provide their own unique challenges. The mountains of Western North Carolina, and the forest areas of South Carolina harbor great recreational parks such as Tsali, DuPont State Forest, Bent Creek, and Laurel River in NC and Paris Mountain, Southside and FATS (Forks Area Trail System (named one of the top 10 machine-made trail systems in the country)) in SC. These are moderate and difficult level trails with hundreds of feet in elevation changes. They are comprised of single track, access roads, and some, like the Left and Right Loops at Tsali, a single track that the rider navigates around a large man-made lake (Fontana Lake). In a recent conversation with a fellow rider, we discussed the horrible consequence of making a riding error and going over the edge into the lake (not good). In the winter the lake is drained and in the summer it is at full capacity. Until then, it had not occurred to me that the prospect of losing one’s bike to the lake could become a reality. But a challenge is a challenge, and in mountain biking especially, there can be no room for fear. Both the Left and Right Loops are each approximately 12 miles in length, and any lapse in concentration could be costly. In contrast to the obvious hazards, Tsali is a very beautiful recreational park located on the borders of Swain and Graham counties with the Great Smokey Mountains as its magnificent playground. One can only marvel at the beautiful surroundings that become infused with every fiber of your being as you push, pedal and commit yourself to go one yard farther—to make that climb. Throughout most of these parks are rivers, gorges, tree roots, rocks, creek crossings, ravines, dead drops, imposing trees everywhere, and some that provide mountains summits that climb to 5000 feet. Expect to fall, expect to get hurt. These and numerous other challenges test the will, the level of oxygen deprivation to the muscles, balance, hand/eye coordination, timely decision making, and your overall physical stamina.
The tree obstacle on the trail at Laurel River, North Carolina
The Spark that Ignites Our Dream of Love Soon Fades Away
A 2011 remix for Life and Stolen Innocence with poem
four point two million sympathy cards hallmark dissipating blue-clear skies to purple gray skies vertical sky-cam a gun in hand aisle four
the sound of a distant airplane voices behind closed doors clear skies, green grass, eternity hand-held sony super 8 interviewing clips from serial mom and fourth of july picnics
christmas morning echoed screams polaroids father knows best sleep in pain, wake to fear, live without love family sitcoms circa: 1960’s
The Narrow Way / The Bridge to Knowing
- The Narrow Way / The Bridge to knowing begins with your daily meditation practice
We often try to understand who we are through the process of knowing. In doing so, we come face to face with a peculiar dialectic. That peculiarity is how to bridge the awareness of being the knower and the known. To do this, one must understand that everything in awareness is known because of you. Our perception of the things around us is derived from an ever changing inherent existence. Things can never exist upon their own power, nor can the awareness of things be from the thinking mind alone. We exist in that place in between the two — You are Knowing. It is the state of Knowing that frees us from the misconceptions, the untruths of the object / known relationship and the subject / knower relationship. We begin the journey with our daily practice in meditation, and move forward when we let go of ourselves and the world around us and just Be That which Is.
Friends who move intrepidly through themselves are invaluable
Self portrait with dreadlocks circa: 1994
Hi Leslee,
What a remarkable blog you are contributing to us all. I am profoundly amazed at the way you have examined and expressed what we all go through i.e. the fears, the attachments, the expectations. The spiritual, artistic and philosophical understanding you possess is a joy to know and your sharing is transforming the way, we who know you, see ourselves. The fact that you are utilizing your intuitive knowledge and your years as a Buddhist Nun in moving forward, are a tribute to the recollection of the Higher Self.
I can relate to the experience of your “going to the salon,” in order to find yourself through change. In 1997 after eight years of having dreadlocks, I remember the decision to cut them. Wow, what a defining and prolific moment that was. I was sitting there watching years of love and care, of spirit and dedication fall to the floor. It had occurred to me as well, that this was a moment where my life was changing. Moments in life are a continuum of change. Transformation is a fact.
Art has always been a vehicle and tool for change, for transforming our misunderstanding into awareness. I appreciate so well your connected sense of being to your art as it mirrors my own. To have a friend who moves intrepidly through herself is invaluable.
Thanks for the great post and namaste.
Walter
Looking down from their ivy tower
The wealthy and the United States of Corporate America's historical assault on the middle class and the poor
I was communicating with a fellow artist who had indicated how frustrated she was with the state of our country, and decided to sell everything and move to Costa Rica to build a home, do organic farming, and participate in a re-foresting project. She is very happy, and I am proud of her for her commitment to the environment. But what about this assault on the middle class, on the poor, from Corporate America, the Tea Party, GOP and even some Democrats, and those who would strip the resources of our world, for their own self-gratification? How do we, the people, the true patriots fight back? I am appalled at the state of the union. And fearful. But not enough to stand down. The list of insidious machinations directed toward the dismantling of the middle class and the poor are many, and their origins date back decades even centuries. At the very heart of it all is the elimination of all the social constructs that the New Deal, the civil rights movement, the women’s movement, the gay movement, and most importantly—the right for all individuals to be free. It’s a tough world out there now. Let’s stand together, voice our dissent and rebel.
n e w d i g i t a l s c a p e s 
