The Silence of Liberation
Toward the love within….
It is after 12 a.m. and I have just read a wonderful post by
fellow blogger Elizabeth—the author of the blog Mirth and Motivation on
Wordpress.com. I was so inspired by her thoughts and comments on the recent
tragedies in Norway, China and the death of Amy Winehouse, that I felt compelled
to create a post on her theme i.e. the need for silence, for understanding,
compassion and healing.
I am not going to say much about the events that occurred here
in this post, (the struggles of mankind as a community and we as individuals
speak for themselves) however, I would like to express my feelings, my
compassion, and the love of healing through
silence via my art.
Silence is a powerful tool. When we cultivate our inward
journey through meditation, contemplative thought and positive action, we
harness the energy to change ourselves and the world around us. For me, these
moments tonight of creative insight and sharing, in connection with my art and
the desire to send forth compassionate energy is liberating in of itself. I can feel the hurt that so many in our
communities are experiencing and my desire for their liberation and the end of
suffering goes out to a world in need.
In Buddhism we learn the need for Nirvana: the cessation of
unsatisfactory conditions and their causes.
I hope the images I have created and the music I selected
for this post help to bring some peace and positive recollection to our hearts
and minds.
http://youtu.be/K8-iTakhFrs — The Disintegration Loops III — William Basinski — Video by Bodyheaven
We are of one Source Energy, and one Spirit.
Weekly Photo Challenge: Colorful 02
Continuing the theme for this week’s photo challenge: colorful, is again an early digital work. This piece is one of the first to incorporate photography and digital manipulation. I am combining marble paper digitally altered and a photograph of the Brooklyn Bridge in New York City. This piece was created in 1987.
Weekly Photo Challenge: Colorful
I thought that since this challenge was about things that are colorful, I would revisit some early digital work. Most of my early work were digital drawings using DigiPaint software. All of the work from this period could be seen as highly colorful and opague in its composition. This piece entitled “To be Wrong I could be Right” is the very first digital drawing I ever did. It was created in 1985.
Body Sequence of ‘Go Out and See’ 02 / Caving into the absolute darkness
An unearthed prehistoric stonewall some six feet high, built of rocks of
various sizes, is evidence that the cave was likely inhabited by aboriginal
people. It is unknown when the first settler entered Morril’s Cave, although it
has been written that settlers surely would have encountered the cave by the
beginning of the 1800’s. Nothing is known of the cave until it became the
property of Elias S. Worley. Locally, the cavern is often still referred to as
Worley Cave. A large amount of saltpeter was mined from the cave early in the
Civil War. A mill was operated in the early 1900’s where the stream exits at
the lower entrance of the cave. It was said that the stream’s volume was
“sufficient, even in severest drought, to turn the undershot wheel of a
large mill.”
Our journey begins on a very hot day, where the temperature outside the
cave is in the mid 90’s, however, inside the cave the temperature will stay all
year round at about 57 degrees. One of the first things we discover as we
proceed further into the cave are the beautiful rock formations and the
cloudburst that greets us as the contrasting air molecules meet and merge. There
are moments of intrepidity and excitement as we approach the day’s first big
challenge i.e. the 30 foot crawl between two rock formations. Not everyone was
willing to do it, however I jumped at the opportunity—or should I say crawled.
I love a physical challenge and the cave provided many opportunties. During the
course of our 3.5 hour journey we crawled, tunneled, climbed, waded through
water, descended and ascended nearly 180 feet while hiking 1.5 miles. We also
sat in absolute darkness. Sitting in absolute darkness with only the slight
sound of water drops was fascinating. It was quite the meditative moment. Our guide
informed us, that if you remained in this kind of darkness for 72 hours you
would become completely disoriented. After being in this kind of sensory
deprived environment for such a long time one would soon begin to hallucinate.
However, I must say that if you are a practitioner of meditation this is the
perfect setting for deep contemplation.
It was an enjoyable day for all of us on the tour. And if you are
physically able and daring, I highly recommend you try this. What do you think?
Does this sound like something you would do? Are there other challenges or
activities that you would like to conquer?
Our natural resources can provide the excitement and challenges that can
sustain the mind, body and Spirit. Go Out and See.
Opening Sequence of ‘Go Out and See’ 02 / Caving Into the Absolute Darkness
Morril’s Cave (Worley’s Cave) is a class II natural-scientific state natural area located in Sullivan County Tennessee. It has more than 37,000 feet of mapped passages. Morril’s Cave is commonly called Worley’s Cave locally and is known for its voluminous size with rooms more than 75 feet wide and 250 feet long with high ceilings that often exceed 100 feet. It is known for its beautiful formations within its eight to ten miles of passages. The lower level of the cave contains a perennial creek filled complete with various fish, white crayfish, and salamanders.
Earth and River Adventures located in Boone, North Carolina provided us with an excellent guide named Andy. Here he is at the beginning of our journey giving instructions on safety and caving etiquette.
A moment of contemplation for me, as our group of six participants prepare for the journey into absolute darkness.
Up next in the following post the trek begins….
Art for Summer Vacations
Art for Summer Vacations
It is that time of the year when we vacation or if we have
the opportunity we “Get Out and See”. Summer
is here, and the temperature is rising. We search for that place to cool our
days and excite our senses. If we are lucky we travel to far off places and
discover ourselves anew while basking in the view of a beautiful sunrise or
sunset. We spend our afternoons lazily browsing small vintage shops, historical
sites, museums, gardens of beauty and restaurants of epicurean delights. I have
not travelled much abroad, but I am grateful to have visited both The
Netherlands and France during my 1990 group art exhibition in Deventer Holland.
These locales are wonderful places indeed, and I will never forget the
hospitality and kindness that I received throughout my journey. It is the
people that make a journey abroad so special.
Here in the states, I often carve out a weekend adventure
here or there. I enjoy outdoor activities that test my physical being, and challenge
my sense of adventure. I also like to seek out places that provide emotional
recovery through meditative contemplation and recollection. This is vital for restoration.
I feel a great vacation should always provide moments of excitement and serenity….
What do you think? Where are some of your favorite places to
vacation? What do you seek out most when planning a vacation? Is it to find
adventure or is it to just relax? Do you prefer travels abroad or weekends
close to home? Please share your thoughts.
The art work that I have included in this post, are expressions
of the theme I call “Art for Summer Vacations”. The first piece “Vacation / a
journey without moving” is a collage of photographs I took as I travelled to the
city of Amsterdam, the town of Deventer (both in The Netherlands), the shores
of Cape Cod and Nantucket, and the mountains of North Carolina. The second
image entitled “Summer and its Warm Embrace” is a journey through mountains,
lakes and trails in NC, SC and TN during
personal hikes and an artist residency provided by the South Carolina State
Parks.
The Fun House @ Highwire Gallery: 1991 / Dreaming in Future Tense / a 2011 remix
“Sometimes we turn the pages in the Book of Memories and come to remember the children who dream in future tense”…..
The Highwire Gallery production of The Fun House
workshop began in March 1991 at the Sayre Morris Community Center in West
Philadelphia and concluded with a performance in May. Funded by the PA Council
on the Arts, the goal was to bring together a group of children and introduce
them to the arts. Our focus would be on dance, performance, music and the visual
arts. Another important part of the workshop was for it to be a community
service, which merged different ethnic backgrounds and communities. For the
eleven girls who participated in the workshop, the hope was to inspire personal
challenges and the pursuit of their dreams. Everyone involved, the artists of
Highwire Gallery, the kids, Empress our musical director, Sandra Lynn our choreographer,
and “DADA” (Dancers Against Drug Abuse) met the challenge and worked hard to
make the program a huge success.
How do we encourage our children to dream, a dream that
inspires, enriches and motivates them to reach for the sky, and to touch just one of the millions of snowflakes that
can be found in the realm of possibilities? How do we lead them by the hand,
through the garden of hopes and dreams?
I think we do it one child at a time, one school at a time, one
project at a time, and as one community. Children love to discover, and be creative.
I strongly believe that the arts will provide them with the tools they will need for exploring their
imagination and giving birth to their dreams.
What do you feel is our children’s greatest need? What resources in our society would you like to see be provided for the well being and growth of our children? Do you believe that the arts, especially at a young age, is a vital tool for encouraging creative thinking and problem solving?
What do you think?
Select the link below for a dream-like journey into a contemporary child’s lullaby.
Winter Poem by Nikki Giovanni
once a snowflake fell
on my brow and i loved
it so much and i kissed
it and it was happy and called its cousins
and brothers and a web
of snow engulfed me then
i reached to love them all
and i squeezed them and they became
a spring rain and i stood perfectly
still and was a flower
— Author and poet Nikki Giovanni
From “The Selected Poems of Nikki Giovanni”
And last but not least in this journey of dreams…a short animation.
Weekly Photo Challenge: Sky 3
Sky and dock in Charleston, SC from “The Memories Behind You” series.
Weekly Photo Challenge: Sky 2
A photograph taken from the ground of the deep blue sky and trees from the “Go Out and See” series.
Weekly Photo Challenge: Sky
From my “Go Out and See” series … “Sky and Mountain in Dark Contrast”
30-Day Song Challenge: Day 14
30-Day Song Challenge: Day 14 asks the question what is “a song that no one would expect you to love”?
The song that inspired this post. Read the summary first, then view the video.
http://youtu.be/P237zpWbPRM The Waterboys – Bang on the Ear 1988
Okay, you have to visualize this
true story to absorb the moment.
It is 1989 in the urban landscape
which is West Philadelphia. The streets are lined with row homes, some occupied,
others abandoned. The row homes cast deep, long, shadows onto the pavements
where the trees have long since been cut down. The shadows are created from the
orange florescent-crime prevention lights hanging ominously from above. I
remember distinctly when Philadelphia changed from ordinary street lamps to
these supposedly crime preventing monoliths. There is an eerie glow and a surreal feeling
as I drive my 1987 Toyota MR2 towards the corner of 52nd and
Catherine Street.
It is the middle of summer and the
temperatures are in the low 8o’s at 2:30 a.m. It is hot and humid. There are
some young kids out playing in the streets, and I wonder why they aren’t in
bed. But this is Philly, and there is a never sleep embodiment that pervades.
There is also a contrasting sense of culture that sometimes invades places
unknown….
I am listening to the cassette
tape of The Waterboys and the song “Bang on the Ear”. My windows are down and
the volume is up. I approach the intersection and on my left a teen, dressed in
true urban, black, hip-hop gear, is standing smoking a joint. Our eyes connect
for a moment. I am waiting for the traffic light to change. It’s taking its
time, when all of a sudden the youth in rebellion jumps into a country square
dance. “Whoa”, I say to myself, “he is so cool and down by law”, as his arms and
legs move in perfect rhythm to the beat of the Waterboys pumping from my car.
It is a surreal moment indeed as
time stands still. I watch him, watching me, as he performs specifically for
me. The light changes, I smile, give him a thumb up and slowly pull off.
I will never forget that
encounter. It reminds me of how art and music transcends, transforms and
connects our different cultural backgrounds. In a moments’ notice we can be
swept away by something new, different and exciting.
Enjoy the song. It has the beat of life 🙂
p.s. “down by law” means “one who has authority” in urban slang.
Bonus Song
Billy Bragg – You Woke Up My Neighborhood 1991
30-Day Song Challenge: Day 06
Day 6 of the 30-Day Song Challenge asks the question what is “a song that reminds you of somewhere”?
http://youtu.be/_a3g8AMKXw4 Isabelle Aubret – La Fanette
While in Europe in 1990, I had the pleasure of traveling from
The Netherlands to Paris, France. I fell
in love with the city. My girlfriend at the time was from Iran, but studied at
the University of Paris before moving to the United States. It was her
influence that led me to make the trip alone while my fellow artists (we were
exhibiting in Deventer, Holland) travelled to Germany. I felt courageous doing this alone, and
enjoyed seeing the city and its rich artistic and cultural heritage. Ever since
that visit, I have fell in love with most things French (food, art, soccer,
film, music). That fact brings me to Isabelle Aubret and French music in
general. She is incredible. I love her
voice, and the language itself. I particularly like French music from the
sixties (classic and new-retro as well) and contemporary French Pop. Singers
such as Francoise Hardy, France Gall, April March, Etienne Daho, and Charlotte Gainsbourg to
name a few, are at the top of my list. I think that is one of the reasons I
love this music, because it always takes me back to the streets of Paris.
day 01 – your favorite song – Stars of the Lid’s “Don’t Bother They’re Here”
day 02 – your least favorite song – Led Zeppelin’s “Stairway to Heaven”
day 03 – a song that makes you happy – Ivy’s – Edge of the Ocean
day 04 – a song that makes you sad – Trespassers Williams – Love You More
day 05 – a song that reminds you of someone – Trespassers Williams – Lie in the Sound
day 06 – a song that reminds you of somewhere
Post Canvas and Paint 03: The Whipping Machine Acid Flex Dance Remix
http://youtu.be/rvSKJjCkVx0 Youtube video
In continuing the Post Canvas and Paint series, I am presenting a video piece entitled The Whipping Machine Acid Flex Dance Remix 1989 / 2010. It is a video art abstraction created as a video segment of The Whipping Machine, a multi-media performance of modern dance theatre performed at The Painted Bride Art Center in June of 1989 in Philadelphia. Utilizing the Amiga 1000 computer and multi-layering soft and hardware effects, I explore the pulsating ambient rhythm of marbled abstraction. In this segment the video represents the mesmerizing intoxication and manipulation by the industrial complex on the masses. Today I am posting this piece as a reflection of our current political and economic struggles.
Stay informed and stand up to tyranny and deception.
A Day Like No Other to Find New Memories
My first visit to Charleston was in 2005 during my two-person
exhibit at the North Charleston City Gallery. It was my first time visiting the
city, and my first major exhibit in the state of South Carolina. The previous
year I had been awarded a week long artist residency at Barnwell State Park via
the South Carolina State Parks’ Artists Fellowship Program. This series created in the year
2010 is a reflection of the timeless and imaginary moments, found in the beauty of
morning, afternoon, and evening. As in my
previous posts, I am attempting to examine the relationship we have with memory
and place. I loved my visit to Charleston. I found it to be a beautiful, warm city
with great food, ambience and culture.
A beautiful day in a new place is always an exciting moment of
exploration and renewal, and of recollection in an artist’s mind. Here as the
bright sun of the afternoon beckoned, there were shops, galleries, music halls, and
restaurants to meander lazily through. The South I found, can joyously bring out the
leisurely feeling in one’s step. But the highlight of
Charleston is the bay. Most of the area is filled with historic monuments. The
bay is expansive and walking next to the waves crashing on the sea wall was
exhilarating. It can be a beautiful afternoon of discovery indeed.
As the afternoon turned to dusk, evening slowly approached. And in
that serene backdrop of the setting sun, there were floating memories of
friends, family and beautiful times gone by. The memories moved through the
color of evening and I found the night full of waking dreams.
Then and now I trust in the mystery of the day.
Where are the places that you visited for the first time
that has left lasting memories? What do you love about exploring new places? Do
you associate certain moments in your life, or loved ones with those places? If
so, please do share.
Into the Timeless Blue Memory
Standing in the
timeless blue memory
What
do we discover?
Childhood Dreams / A Better Tomorrow / The
Memories Behind You…
Magic and Lost
She is only relevant
to a moment
in time…
The past…and
the memories behind you…
thinking back
softly infused…with
the starlight in her eyes….
He is only relevant
to his story
in time…
To the thought of himself
narcissistic and unending
with the memories behind him…
painfully infused…with
the starlight in her eyes….
The journey has its moments, but it is the end that
is the important thing.
This post is dedicated to the men and women who
endure the timeless blue memory found in love.
Into the Blue Imagination
After working for a few hours on the digital collage for this post
entitled “Into the Blue Imagination”, I finally embraced its finality. It took some
patience, experimentation and moments of trial and error so to speak, to feel
totally satisfied. Immediately after the completion of the piece, and while meditating
on its content, I found myself asking the question, what exactly in the name of art have I produced?
Sometimes you find the meaning to a work of art that
you created only after it is completed. During the process of creating there is
a desire to control its outcome. We as artists, at times want to have it all so
neatly packaged. We like to think that our pre-determined concepts and their
fulfillment in the piece is what make it successful. However, we also realize
there can be beauty in the unknown and an exhilarating joy in discovering it.
In reference to the joy of discovering the unknown, and simultaneously feeling complete, let me make
this observation….
The last element incorporated into the piece is the
portrait of me. It is a photograph taken over a decade ago when I had
dreadlocks. I am also facing the portrait as the shadowy figure in black. I am observing myself. This
prompted the question, what do we discover when we face ourselves? What do we see?
I did not attempt to instill any answers to this
question in this particular piece. How could I? The piece as I stated was
complete. The question, “what do we discover when we face ourselves” and the
possible answer or answers will have to wait until another time.
In conclusion….
Sometimes that is all that art is; a question that begs an answer, or our imagination seeking clarity.
Like a work of art, are you sometimes complete, even though there are questions to be answered?
Post Canvas and Paint 02: in the lightness of being blue
As an artist, I am sometimes feeling a little blue and uncertain about to which idea I need to explore. It is then that I find the process of creating which I use in my ongoing Post Canvas and Paint series liberating. That ambiguity found “in the lightness of being blue” is washed away amid the beauty of finding an intuitive way of moving from one image to another.
In this particular Post Canvas and Paint series, I start with numerous paused video images of works from my past installations and performances. They are photographed or captured digitally and remixed for this series.
The color blue dominates the vision and feeling of the series. It is the starting element that embodies each image. While the color blue sets the mood for this particular Post Canvas and Paint series, what is consistent throughout all of them is the organic and the patterned designs. As I have stated in previous writings (artist summary @ website: newdigitalscapes.com) on the methodology of the series, it is my intent to remain true to the digital process i.e. recognizing and imploring the intricate, microtonal possibilities inherent to the computer. I take this approach by allowing the computer to contribute its infinite source of geometric abstractions, digital glitches, visual drones, disintegrating loops of color and focus, underlying beats and rhythms, and tonal variations.
The most important thing I would like to achieve in this process is establishing a rhythm in my own inner intuition—feeling the next step and incorporating it into the another image. This is the objective of the series i.e. for each image to move effortlessly to the next….
It is adding while becoming, and finally, being no different from the previous as a whole.



































