words and art by w a l t e r w s m i t h

Art

Weekly Photo Challenge: Sky 3

Sky and Dock in Charleston SC

Sky and Dock in Charleston SC

Sky and dock in Charleston, SC from “The Memories Behind You” series.


Weekly Photo Challenge: Sky 2

Deep Blue Sky and Trees

A photograph taken from the ground of the deep blue sky and trees from the “Go Out and See” series.


Weekly Photo Challenge: Sky

Sky and mountain in dark contrast

From my “Go Out and See” series … “Sky and Mountain in Dark Contrast”


Out Tonight 1989 / 2009 remix

Out Tonight / video still / digital collage 2011

http://youtu.be/dT32CziHAMc

Bonus song: The Smiths – There is a light that never goes out

http://youtu.be/INgXzChwipY

Out Tonight, the video, was first created in 1989 and mixed with the music of The Smiths and the song “There is a Light that Never Goes Out”. The video was originally conceived as a reflection of 80’s New Wave music, the club scene, and chillin out. But I wanted to add something more, and therefore centered its theme on the possible controversy, yet beauty of interracial dating. The texts used in the video, I thought I knew what would make you smile tonight ask the question of devotion, and statements after an arrest under the immorality act reveals the possible (most notably in the past) consequence. I was inspired to produce this video after seeing the play entitled “Statements after an Arrest under the Immorality Act” by South African playwright Athol Fugard. In the play, Fugard examined with a visceral intensity the consequences of interracial love during apartheid in South Africa. I believe that it is extremely important that we reach out and lead by example, demonstrating that love is universal and that we are all of one race i.e. the human race—diverse, complex, and beautiful.

Love has no boundaries.

The video was created using an Amiga 1000 computer with a Digital Creations’ Super Gen video mixer. Way ahead of its time, the Amiga 1000, which was first introduced to the public in 1985, was an extraordinary machine equipped with music, video and graphic cards. The 2009 version of Out Tonight is remixed with music by Nine Inch Nails.


30-Day Song Challenge: Day 15

30-Day Song Challenge: Day 15 asks the question what is “a song that best describes you”?

http://youtu.be/Fh0AaTOfkIc      Alva Noto & Ryuichi Sakamoto – Moon

A bonus song that reinforces the theme as well…

http://youtu.be/OJORJFSWE1I     Alva Noto & Ryuichi Sakamoto – Berlin

I have been listening for some time to the musical duo of Alva Noto and Ryuichi
Sakamoto. This collaboration has produced many ingenious works. Here are two entitled
“Moon” and “Berlin”. I think these songs best describes me because of their contrast
between the beautiful, seductive, melodies produced by pianist Sakamoto and the
pulsating beats and glitch from sound designer Noto. The sounds they produce seem at odds with
each other, however they are not. They are distinctly different but combined in such a way that it is
pure pleasure. I would like to think that this contrast is symbolic of how I
create art i.e. I am always searching for various source materials to bring together in a compelling work of art.


Impressions in Barbados 03 / Ceremony

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Impressionism is a theory or style
of painting, literature or music which aims to reflect subjective impressions
rather than objective reality.

Ceremony is defined as a formal
act or set of acts as prescribed by ritual, custom or etiquette. [sacredness or
religious rite]

There is something beautiful and magical about a ceremony. It brings people together.
During our trip to Barbados, our group participated in a very moving one. It was
an ash to sea ceremony. We found the location on the island which was noted as
being nearest to Africa. It was there that the twelve of us performed what I
will always remember as a beautiful and deep expression of love and
remembrance. Some of us said a few words in observance of the passing, and others expressed
compassion and recited poetry. And in the end there were flowers, sand, and
surf coming together to set adrift the physical presence of a loved one.

What ceremonies remain in your heart? Do you believe that ceremonies are still
important in this day and age? Tell me about a ceremony or ritual that you participated
in that changed your life, and if so why.


Maybe Tomorrow a Better Possibility / Resolution and Redemption

http://youtu.be/6Gc0oD7okEk

Maybe Tomorrow a Better Possibility / Resolution and Redemption was first conceived as a collaborative project with video artist Walter Smith and fellow artist / singer / actor and friend, Ronald Freeman in 1994. The emotional impetus for the project was the ever increasing urban decay surrounding us in Philadelphia. Through substance abuse, drug warfare, and a rapid deterioration of its infrastructure, we came to see our beloved city in a struggle for survival. The original song, Hunger for Holiness, which accompanied the original video was written and sang by Ronald. The composition sought to give insight to the problems and plight of the urban construct and hope for a better tomorrow. In this remixed version, a dreamlike jazzy trance score replaces the composition to create an otherworldly sense of ambiguity, but again hope.

Maybe Tomorrow a Better Possibility / A Self Portrait of Resolution and Redemption


30-Day Song Challenge: Day 14

30-Day Song Challenge: Day 14 asks the question what is “a song that no one would expect you to love”?

The song that inspired this post. Read the summary first, then view the video.

http://youtu.be/P237zpWbPRM    The Waterboys – Bang on the Ear 1988

Okay, you have to visualize this
true story to absorb the moment.

It is 1989 in the urban landscape
which is West Philadelphia. The streets are lined with row homes, some occupied,
others abandoned. The row homes cast deep, long, shadows onto the pavements
where the trees have long since been cut down. The shadows are created from the
orange florescent-crime prevention lights hanging ominously from above. I
remember distinctly when Philadelphia changed from ordinary street lamps to
these supposedly crime preventing monoliths.  There is an eerie glow and a surreal feeling
as I drive my 1987 Toyota MR2 towards the corner of 52nd and
Catherine Street.

It is the middle of summer and the
temperatures are in the low 8o’s at 2:30 a.m. It is hot and humid. There are
some young kids out playing in the streets, and I wonder why they aren’t in
bed. But this is Philly, and there is a never sleep embodiment that pervades.
There is also a contrasting sense of culture that sometimes invades places
unknown….

I am listening to the cassette
tape of The Waterboys and the song “Bang on the Ear”. My windows are down and
the volume is up. I approach the intersection and on my left a teen, dressed in
true urban, black, hip-hop gear, is standing smoking a joint. Our eyes connect
for a moment. I am waiting for the traffic light to change. It’s taking its
time, when all of a sudden the youth in rebellion jumps into a country square
dance. “Whoa”, I say to myself, “he is so cool and down by law”, as his arms and
legs move in perfect rhythm to the beat of the Waterboys pumping from my car.

It is a surreal moment indeed as
time stands still. I watch him, watching me, as he performs specifically for
me. The light changes, I smile, give him a thumb up and slowly pull off.

I will never forget that
encounter. It reminds me of how art and music transcends, transforms and
connects our different cultural backgrounds. In a moments’ notice we can be
swept away by something new, different and exciting.

Enjoy the song. It has the beat of life 🙂

p.s. “down by law” means “one who has authority” in urban slang.

Bonus Song

https://youtu.be/Mao5BG2zloY

Billy Bragg – You Woke Up My Neighborhood 1991

You Woke Up my Neighborhood


Impressions in Barbados 02 / Celebration

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Impressionism is a theory or style
of painting, literature or music which aims to reflect subjective impressions
rather than objective reality.

The Crop-Over Festival is a yearly
event celebrating the sugar crop production in Barbados. It is a week-long party
all over the island. Everywhere you go people are in the streets, restaurants,
and on the beaches drinking, eating and partying. It was fascinating watching the
many parades that snaked throughout the streets.

And everywhere the town was alive with music.
Even the beaches could not escape the sound of bands playing reggae, rock, and Caribbean
music on stages lining the shore. One such moment was quite magical as the
sloping foothills crowded with people edged its way down just yards from the
ocean.

I had a great time, and I recommend if you get the chance and love to party to go visit Barbados.

I took over two hundred photographs to document the festivities. In this post I include some of my favorites.

What do you think? Do you have a favorite party locale where you can let yourself go? Please share your thoughts.


Impressions in Barbados 01 / A Land of Beauty

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Impressionism is a theory or style
of painting, literature or music which aims to reflect subjective impressions
rather than objective reality.

In 1995 I had the pleasure of going to the island of
Barbados during the week of the Crop-Over Festival. The festival is a week-long celebration of
the sugar crop production of the year. This is a celebratory time for
visitors and native islanders who line the streets and beaches in search of fun
and surf. I was with a party of 12 that consisted of my sister and her friends.
We stayed in some lovely and remote time-shares located on the southern part of
the island.

The Impressions in Barbados series was created as a
salutation to all of the impressionist painters who have over the years turned
landscapes, seascapes, towns and islands into a visual paradise. I have always
felt that this style of painting exemplifies the beauty that can be found in
the manipulation of light and color. The key is in the brush stroke. In all of the
pieces here, I attempt to imitate various brush strokes to convey the essence
of Impressionism.

For this post, I have separated the series into 3 parts i.e.
Beauty, Celebration and Ceremony. This being part 1, I am concentrating on the beauty of the
island and focusing on its natural habitat.

What do you think? Are you a lover of Impressionism? Do you
like this style of painting and if not what is your favorite? Who are some of
your most revered Masters when you think of Impressionism? Is it Cezanne, Van
Gogh, Matisse or a contemporary that you love? Please share your thoughts. And finally,
where have you vacationed that has been or could be a great work of
impressionistic art?


Post Canvas and Paint 03: The Whipping Machine Acid Flex Dance Remix

The Whipping Machine Acid Flex Dance Remix 1989 / 2010

http://youtu.be/rvSKJjCkVx0  Youtube video

In continuing the Post Canvas and Paint series, I am presenting a video piece entitled The Whipping Machine Acid Flex Dance Remix 1989 / 2010. It is a video art abstraction created as a video segment of The Whipping Machine, a multi-media performance of modern dance theatre performed at The Painted Bride Art Center in June of 1989 in Philadelphia. Utilizing the Amiga 1000 computer and multi-layering soft and hardware effects, I explore the pulsating ambient rhythm of marbled abstraction. In this segment the video represents the mesmerizing intoxication and manipulation by the industrial complex on the masses. Today I am posting this piece as a reflection of our current political and economic struggles.

Stay informed and stand up to tyranny and deception.


A Day Like No Other to Find New Memories

Morning in Charleston SC

My first visit to Charleston was in 2005 during my two-person
exhibit at the North Charleston City Gallery. It was my first time visiting the
city, and my first major exhibit in the state of South Carolina. The previous
year I had been awarded a week long artist residency at Barnwell State Park via
the South Carolina State Parks’ Artists Fellowship Program. This series created in the year
2010 is a reflection of the timeless and imaginary moments, found in the beauty of
morning, afternoon, and evening.  As in my
previous posts, I am attempting to examine the relationship we have with memory
and place. I loved my visit to Charleston. I found it to be a beautiful, warm city
with great food, ambience and culture.

Afternoon in Charleston SC

A beautiful day in a new place is always an exciting moment of
exploration and renewal, and of recollection in an artist’s mind. Here as the
bright sun of the afternoon beckoned, there were shops, galleries, music halls, and
restaurants to meander lazily through. The South I found, can joyously bring out the
leisurely feeling in one’s step. But the highlight of
Charleston is the bay. Most of the area is filled with historic monuments. The
bay is expansive and walking next to the waves crashing on the sea wall was
exhilarating. It can be a beautiful afternoon of discovery indeed.

Evening in Charleston SC

As the afternoon turned to dusk, evening slowly approached. And in
that serene backdrop of the setting sun, there were floating memories of
friends, family and beautiful times gone by. The memories moved through the
color of evening and I found the night full of waking dreams.

Then and now I trust in the mystery of the day.

Where are the places that you visited for the first time
that has left lasting memories? What do you love about exploring new places? Do
you associate certain moments in your life, or loved ones with those places? If
so, please do share.


Into the Timeless Blue Memory

What do we see when we face ourselves

Standing in the
timeless blue memory

What
do we discover?

Childhood Dreams / A Better Tomorrow / The
Memories Behind You…

Magic and Lost

She is only relevant

to a moment

in time…

The past…and

the memories behind you…

thinking back

softly infused…with

the starlight in her eyes….

 

He is only relevant

to his story

in time…

To the thought of himself

narcissistic and unending

with the memories behind him…

painfully infused…with

the starlight in her eyes….

The journey has its moments, but it is the end that
is the important thing.

This post is dedicated to the men and women who
endure the timeless blue memory found in love.


Into the Blue Imagination

Into the blue imagination / A Self Portrait

After working for a few hours on the digital collage for this post
entitled “Into the Blue Imagination”, I finally embraced its finality. It took some
patience, experimentation and moments of trial and error so to speak, to feel
totally satisfied.  Immediately after the completion of the piece, and while meditating
on its content, I found myself asking the question, what exactly in the name of art have I produced?

Sometimes you find the meaning to a work of art that
you created only after it is completed. During the process of creating there is
a desire to control its outcome. We as artists, at times want to have it all so
neatly packaged. We like to think that our pre-determined concepts and their
fulfillment in the piece is what make it successful. However, we also realize
there can be beauty in the unknown and an exhilarating joy in discovering it.

In reference to the joy of discovering the unknown, and simultaneously feeling complete, let me make
this observation….

The last element incorporated into the piece is the
portrait of me. It is a photograph taken over a decade ago when I had
dreadlocks. I am also facing the portrait as the shadowy figure in black. I am observing myself. This
prompted the question, what do we discover when we face ourselves? What do we see?

I did not attempt to instill any answers to this
question in this particular piece. How could I? The piece as I stated was
complete. The question, “what do we discover when we face ourselves” and the
possible answer or answers will have to wait until another time.

In conclusion….

Sometimes that is all that art is; a question that begs an answer, or our imagination seeking clarity.

Like a work of art, are you sometimes complete, even though there are questions to be answered?


Post Canvas and Paint 02: in the lightness of being blue

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As an artist, I am sometimes feeling a little blue and uncertain about to which idea I need to explore. It is then that I find the process of creating which I use in my ongoing Post Canvas and Paint series liberating. That ambiguity found “in the lightness of being blue” is washed away amid the beauty of finding an intuitive way of moving from one image to another.

In this particular Post Canvas and Paint series, I start with numerous paused video images of works from my past installations and performances. They are photographed or captured digitally and remixed for this series.

The color blue dominates the vision and feeling of the series. It is the starting element that embodies each image. While the color blue sets the mood for this particular Post Canvas and Paint series, what is consistent throughout all of them is the organic and the patterned designs. As I have stated in previous writings (artist summary @ website: newdigitalscapes.com) on the methodology of the series, it is my intent to remain true to the digital process i.e. recognizing and imploring the intricate, microtonal possibilities inherent to the computer. I take this approach by allowing the computer to contribute its infinite source of geometric abstractions, digital glitches, visual drones, disintegrating loops of color and focus, underlying beats and rhythms, and tonal variations.

The most important thing I would like to achieve in this process is establishing a rhythm in my own inner intuition—feeling the next step and incorporating it into the another image. This is the objective of the series i.e. for each image to move effortlessly to the next….

It is adding while becoming, and finally, being no different from the previous as a whole.


In the Reflective Mirror / Various Artistic Influences 04: searching for moments of meaning in a catalogue of events

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When searching for meaning in a catalogue of artistic events,
does one art form influence another?

Looking back through my history of art exhibits, shows, and performances,
I wonder how these events have influenced my art to date.  In pondering this rather profound question, I
also must ask how the art of others have influenced my work as well. Can I be,
as well as my art, a product of both a historical and contemporary mindset of various
artistic disciplines? Does art from such masters as Salvador Dali, or Matisse
in painting, or Rodin in sculpture, or performance and visual art from my peers
Lili White, Constance Kocs, or Paul Curci respectively, and the post-modern dance / avant-garde operas of Pina Bausch compel
the creative spark as well as say a musical performance by jazz artist John
Coltrane or minimalist Steve Reich?

As an artist, I’ve always thought it was extremely important
to be both creative and observant.  Art
flows through the eyes of the artist, into the interpreting mind, through the reflective
soul and back into world.

I began drawing and painting at an early age while listening
to “Soul” music from such artists as The Temptations, Sam and Dave, Diana Ross and
Marvin Gaye.  But in 1970 at age 14 while
browsing through my older cousins’ record collection, I came across two visually
stunning album covers. They were Jimi Hendrix’s Band of Gypsies and Miles Davis’
Kind of Blue. I had never heard of these musicians, but the combination of the on
stage black background and their psychedelic shirts full of abstract color led
me to investigate. The music was incredible. It was provocative, edgy, exploratory,
and new. Here is a perfect example of how visual stimulation of one kind led to
the discovery of something completely new in the form of sound and improvisational
composition.

Yes, with our imagination, one art form can influence the
discovery of another and how it is translated into a new vision.

Over the years, as I moved from painting to digital art, I continued
to maintain a traditional approach to my art while simultaneously embracing and
supplementing it with all things contemporary. I would like to think that my
digital art can and does incorporate the movement of dance in its lines, the conceptualization
of operatic design in its production, the intricate sound and improvisation of minimalism,
and jazz in its syncopated patterns.  And color…lots of color, insight, intuition,
and emotion—full of warmth, that when observed closely can be found in the arts
of old and new.

What do you think? As an artist, musician, poet, dancer,
patron, blogger, or lover of creativity, does one form of art influence
another?

For me it is interesting that as I explore this new
expression called blogging, my subliminal intent is to somehow have art
influence how I blog and the tool of blogging become part of the process of
creating art.

In the meantime enjoy the slide show: In the Reflective
Mirror / Various Artistic Influences 04: searching for moments of meaning in a
catalogue of events.

  • Towards the Reflection of Art, Digital Artist,
    Walter Smith
  • 19 American Artists, Highwire Gallery, Berkgerk,
    Deventer 1990
  • Constance Kocs, Highwire Artist
  • Meredith Monk: 1987 Next Wave Festival, Brooklyn
    Academy of Music
  • Dance at BAM: Next Wave Festival , Digital Remix
    2011 Walter Smith
  • Pina Bausch’s Tanztheater Wuppertal, Gebirge: 1984 Next Wave Festival,
    Brooklyn Academy of Music
  • Pina Bausch’s Tanztheater Wuppertal, Arien: 1984 Next Wave Festival,
    Brooklyn Academy of Music
  • Philadelphia Artists Cooperative (Highwire
    Gallery) founded 1987
  • Sometimes in the Waking the Reality is More
    Pressing than the Dream, review, City Paper,
    2000
  • Pina Bausch, Steve Reich, Next Wave Festival,
    Brooklyn Academy of Music
  • Statements After the Arrest Under the Immorality
    Act, Wilma Theatre, Philadelphia, Pa
  • Louvre, Paris, France 1990
  • Lili White, Highwire Artist
  • Paul Curci, Highwire Artist, City Paper
    Publisher, Philadelphia, Pa
  • Steve Reich, minimalist composer
  • Miles Davis, jazz composer
  • Dance at BAM: Next Wave Festival , Digital Remix
    2011 Walter Smith
  • The Birth
    of the Poet
    : 1985 Next Wave Festival, Brooklyn Academy of Music, photo
    Beatriz Schiller,  Digital Remix 2011, Walter
    Smith
  • Billie Holiday & Dechen Shak-Dagsay
  • Stigmata, (Michael Davenport & George
    Wolstenholme) electronic music composers
  • Louis Armstrong, John Coltrane, Charlie Parker,
    jazz composers
  • Post Canvas and Paint Series 10.14.2010.8:07.a.m.
    Digital Artist, Walter Smith

The Pier and the Flower in Meditation

The Pier and Flower in Meditation

Above the shifting tides we stand upon the pier

This past week I have been seeing an image in my mind’s eye.
It is a beautiful, contemplative piece by artist and fellow blogger Leslee
Hare. The title of the work is Inner and Outer Tornadoes. I do recommend you
check out her blog and all of her posts. Needless to say, the atmospheric feeling
in the digital filtering of blue layers, along with her prose, were so
inspiring that it led me to this piece….

The Pier and the Flower in Meditation

I wanted to convey something that was similar to Leslee’s
piece. I wanted soft layering and an organic feeling, if not totally atmospheric.
But more importantly I wanted to reflect on the “cleansing” process that she
spoke of in reference to tornadoes. In my work, I see the pier as an opportunity
to step out into the unknown—above the waters of our fears and shifting emotional
tides.

What elemental forces or structural constructs give you
pause? What questions arise, what “pier” do you stand upon in meditation as you
face the reflection of your thoughts and emotions?


The Conscious Light that Illuminates the Darkness of the Mind

Sunrise and the pier 2009

Sunrise and the pier 2009

Waking up early during the summer of 2009, there was a
pervading need to see the sunrise. It was still dark, as the consciousness in
waking slowly came into being. In anticipation of a beautiful moment in time, I
found myself rushing to meet the light. Standing upon the pier, I witnessed the
beginning of a new day.

The mind has an opportunity to wake to a new consciousness
as well. Every day the mind finds itself surrounded in thinking and perpetual
thought. As I stood on the edge of the pier, watching the darkness fade away, I
was reminded of the beauty that is the Light that takes away all darkness. In
that moment, my mind felt the Light of Awareness as it responded to the ever
approaching rays of sunshine.

I stood quietly in a meditative state.

Sunrise and meditation 2009

Sunrise and meditation 2009

Ever increasing awareness is obtained as the illumination in
the power of light over shadows the darkness of the mind.

Do you find moments in nature that like a sunrise brings a
greater sense of awareness? Does it provide a greater feeling of peace with
oneself and of knowing who you really are? Many of the great gurus of our time
have taught how important it is to find the path to greater self awareness and
knowing….

“Through the mind and intellect, consciousness is divided
into I and other.  I am on one side, and
the world is on the other. Light is on this side and the other side is dark”.

The Direct Experience of Truth

From the Discourses of Swami Parmanandji Maharaj

Final meditation 2009

Final meditation 2009


In the Reflective Mirror / Various Artistic Influences 03: why ask questions about art

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What do you expect from art? How does art feel when it is
found? Where do you find art? Can art be here but not there? Is art on the
street? Why is art beautiful? Is art beautiful only when seen? Does art answer philosophical
questions? Does your child make art knowingly? Is art around the corner from
where you live? Do you dine near art? Is art inside your home, but not on your
wall? Can art be lost? Does art have longevity and sustainability? Is art your
religion? Is point A to point B art? Is art in an industrial park or in a
trailer park or in the park? Is art mobile? Is art agile? Is art sensitive unto
itself? Is art fragile? Does art have emotions? Is art dead?

What is modern art? What is post-modern art? What is
impressionism? What is expressionism? What is conceptualism? Is art abstract?
Is art figurative? Is art delineated by isms? Is art an analog tape loop? Is
art a digital sequence? Is art a light reflected? Is art a moment in time? Is
art a movement in contrast? Is art a reality unknown? Can art be more than it appears? Is
art a collection of artists? Is art a contract? Can art be voided, misplaced or
oppressed? Does art need to be more? Does art save the day? Can art save when it
has failed? Will art survive when it is destroyed? Does art breathe? Will art breathe
in us? Is art under water, in the sky, in a mother’s womb, or found bathed in silence?
Does art give birth? Is art alive?

What do you think? Why ask questions about art?

In the meantime enjoy the slide show: In the Reflective
Mirror / Various Artistic Influences.

  • The Whipping Machine, Collective Enterprises
    Productions 1989, Painted Bride Art Center
  • The Whipping Machine, Michael Davenport, Walter
    Smith, Van Grimes 1989
  • The Whipping Machine, Painted Bride Art Center, 1989
    Philadelphia Pa.
  • Next Wave Festival, Brooklyn Academy of Music
  • Molissa Fenley and Dancers, Geologic Moments: Next
    Wave Festival 1986, original photo Marcus Leatherdale, digital remix Walter
    Smith
  • Critics Pick, Solo Exhibition, Computer Art, Villanova Art Gallery 2001, Walter Smith & First Friday,
    Walter Smith, Robert Wulbrecht, Marita Fitzpatrick
  • 2 Men 4 Walls 1 Month, Highwire Gallery 1991,
    Walter Smith & Mark Stolte
  • Eiko & Koma’s New Moon Stories: Next Wave
    Festival 1986, original photo Marcus Leatherdale, digital remix Walter Smith
  • Commodore Amiga Computer, Genesis of Computer Art 1985
  • Michael Clark and Company: Next Wave Festival
    1986, original photo Marcus Leatherdale
  • Ash Ra Tempel, The Gatherings Concert Series, St Mary’s Church,
    University of Pa.
  • Anna Teresa de Keersmaeker: Next Wave Festival
    1986, Brooklyn Academy of Music 1986
  • Scenes from CIVIL warS, Act v – the Rome
    section, by Robert Wilson and Philip Glass, original photo Peter Simon, digital
    remix Walter Smith
  • Steve Roach, Ambient Music, & Relache, Philadelphia Ensemble for Contemporary
    Music, 1987
  • John Cage: Next Wave Festival, Brooklyn Academy
    of Music 1986, photo Peter Hujar
  • Life and Stolen Innocence, Walter Smith, Highwire
    Gallery 1992, Philadelphia Pa
  • Philip Glass: Next Wave Festival, Brooklyn
    Academy of Music 1986, original photo Lynn Davis, digital remix Walter Smith
  • Robert Wilson: Next Wave Festival, Brooklyn
    Academy of Music 1986, original photo Peter Hujar, digital remix Walter Smith
  • Impossible Theater Social Amnesia: Next Wave
    Festival 1986, original photo by Erik Kvalsvik, digital remix Walter Smith
  • Merce Cunningham’s Summerspace  with scenery and costumes by Robert
    Rauschenberg, original photo by Jack Mitchell, digital remix Walter Smith
  • Post Canvas and Paint Series 10.13.2010.6:48.a.m.
    Digital Artist, Walter Smith

In the Reflective Mirror / Various Artistic Influences 02: Music Playlist

Post Canvas and Paint

10. 13. 2010 6:49 a.m. Post Canvas and Paint series

In continuing the theme of various artistic influences, I
need to first address the musical aspect of the reflective mirror of my
creative journey past and present.  These
posts are simple playlists of music from the past and present that have had
significant influence on my art. In doing these musical playlists and
reviews (some of the reviews are by music critics and fans of the artists), I
hope to introduce my readers to new and exciting music.

  • CD: Xerrox Vol. 2 – Alva Noto (Carsten Nicolai):
    released Dec 01 2008, Genre Electronic

Reproduction, alteration and decay are the main focuses of
Alva Noto’s Xerrox series: the music consists of samples altered by inserting
noise through several rounds of copying. The resulting tracks seem to atomizing be
before your ears, with an occasional effort to coalesce. Where Vol. 1 offered a
sequence of alternating short raw pieces and mid-length ambient tracks, Vol. 2
presents itself as a more even and almost continuous suite of pieces. Vol. 1
was subtitled “Old World”, this one is “To the New World”, but the meaning of
those subtitles remain obscure and might very well be restricted to the
geographical origins of the samples (provided this time around by Stephen O”Malley,
Michael Nyman and Ryuichi Sakamoto). You can either study the copying/decaying
processes used by Carsten Nicolai, or simply dive into this soundworld of
gritty textures, glitch pulses, and skeletal pieces whiteout melodies.

~ Francois Couture, Rovi

I find Alva Noto solo works, and his collaborations with
Ryuichi Sakamoto to be quite beautiful. The technical production quality is
incredibly intricate and well mastered. The music transports you to a world of
micro-tonal sound that envelops and loops itself almost to noise, while
sustaining the mood of silence and space.

Each post under this musical series is accompanied by an image
from my Post Canvas and Paint series. I feel that this particular style of
Electronic music, both the earlier analog space music and the present digital
IDM lends itself quite well to the style of work in the Post Canvas and Paint series.


In the Reflective Mirror / Various Artistic Influences 01: The Park

The Park 1997

The Park 1997

Lately, I have been feeling rather nostalgic and reflective.
The essence of being an artist, or just human, I presume. Because of this there
certainly has been a sense of longing for things past, their presence
resounding in the influence of various people, periods in time, and artistic
disciplines.

Presently, while writing this post, I am listening to a 10
hour playlist I created of four unique ambient sound artists: Chihei
Hatakeyama, Alva Noto, Sawako, and Ryuichi Sakamoto, all of whom weave found
organic sound samples and electronics to produce dreamlike soundscapes. I
mention these artists because they are currently what I find compelling in new music.
I will share excerpts from reviews about
their music in future posts. This brings to mind that half a lifetime ago in
the year 1977, while driving from NYC to Philadelphia at 4am, I came across the
WXPN’s (University of PA) Starsend electronic music program. Listening to the
surreal sounds of Tangerine Dream and Klaus Schultz was the start of many
journeys into experimental music and avant-garde arts in general.

All of this became a reflective thought and ideas for
posting this past week when I saw the film “Smithereens” by Susan Seidelman. I
have not seen this film in years. I remember first seeing it in the early 80’s
when it was first released in NYC. I was excited about coming across the film, and the opportunity of stepping back in time.

But I have been thinking about other influences of the past
as well. How perhaps music, film, festivals, theatre, family, friends travel, exhibits
and art etc., have conceptually developed the artistic vision I have.  I hope to explore this phenomenon in future
posts as well. For this posting, I am including a work of art from 1997. It is
one of my all time favorite collages. It is a large 42 x 48 inch composition
depicting the remaining memories of family reunions, during Fourth of July
picnics at the park and in Glenside, PA in the 1960’s. The title of the piece
is “The Park” and my first major showing of the work was in NYC at Agora Gallery
in Soho in 1997.

So I would like to introduce you, my blog buddies and
readers to “In the Reflective Mirror / Various Artistic Influences.

Let me know what you think of the various postings, and
include your creative influences that stand out and reflect your life’s
history.

And up next a musical playlist….


Go Out and See

This slideshow requires JavaScript.

This slideshow requires JavaScript.

There is so much beauty that surrounds us. It is a beauty
that can bring us joy when we take the time to “Go Out and See”.  This past week, I had the pleasure of being
part of a beautiful day and a challenging bike ride. It provided an opportunity
to see the lovely landscape of farms, rivers and mountains that form parts of
western Haywood County, North Carolina.
It is that time of year when the leaves are coming back as the green
foliage slowly progresses up the mountainside. Winter is being left behind and the
memory of the cold distant mountain is replaced by soft layers of life and
biological growth.

Our journey begins at the town of Crabtree, where we head
west on Riverside Road. Here we bike for several miles next to the Pigeon River
until we reach the town of Riverside. It is here that we start our first
serious mountain ascent. It is approximately 1.5 miles of winding switchback
climbs. Our fast and perilous descent takes us to the town of Panther Creek,
where we begin the long sweeping terrain of hills and straights. Halfway
through our journey we merge onto Fines Creek Rd. In the town of Fines Creek is
the only gas station in more than 15 miles in any direction. We fuel up on
nuts, fluids and protein, and encourage each other for the mammoth climb to come.
One man, who is fueling his tractor,
asks us are we going up the mountain, in which we reply…yep that’s the plan. He
smiles and laughs and says “good luck”. He obviously knows something about the
mountain we don’t. But we know it is a 1.5 mile climb with a 5% gradient. It is
straight up with one or two slight curves. It is intimidating. We start the
climb and there are times when I look up and all I can see is the road horizon
in the sky. There are times when I want to stop, my will in question, my legs
in pain, but realize how difficult it would be to start uphill without momentum.
The descent at speeds nearing 40 mph is
a test of skill and nerve to say the least, but liberating. For nearly 2 miles,
one can only hold on aerodynamically and hope that no unforeseen problems
arise. Finally, after 18 miles, our return to Crabtree is a quick flowing pace
that allows for some reprieve and scenic viewing.

After the bike ride, the best part of the day is the drive
afterwards. We retrace our journey via the car and take photographs. Eighteen of
two hundred have been digitally retouched and included in the slideshow.

So what do we gain when we “Go Out and See”? For me, there
is the liberating feeling of joy that can stay with you a lifetime.  There is also the possibility of discovering things
once unknown in my surroundings and in my soul.

What motivates you to take time out of your busy schedule to
“Get Out and See”? What would you like to discover in nature or local history? What
would it mean, and how would it enrich your life?

Take a moment and think about the last time you made the
extra effort to get out and discover. Let me know what you found.


Race Day April 3rd 2011

Mountain biking race day at Tsali Recreational Park

Mountain biking race day at Tsali Recreational Park, North Carolina

It is Race Day

Take what life gives us

Let us meet under the great pavilion

Where the sounds of aspirations

Are heard in the ballet of bikes

It is race day

Clutching our forged carbon loves

Sinewy muscles tense with sweat

We dream the dance

The dance of the mountain

It is race day

There is life in every breath

Let us meet silently at the starting gate

The noise of wind and sky to shatter our thoughts

While colors merge

A kaleidoscope forms

A kinetic fleeing pursuing blur

Rotating wheels and quick descents

Gorges rivers trees and falls

Pick yourself back up

Your pain body calls

And look up into the crying sky

To a transformative end

Finding yourself deep inside

It is race day

Transcending our weekday life

We are here to meet in joyous celebration

The sound of Kopeland

The sound of music

Victory for one

Pleasure for all

While arms and smiles embrace

Here at Tsali North Carolina

Its sure to be

A great race


A Mysterious Thing … The Photograph of a Place in Time

Biking around Lake Junaluska, Maggie Valley, North Carolina

Biking around Lake Junaluska, Maggie Valley, North Carolina

It was a golden morning and a beautiful start to the day. It was a Monday and there was a
chill in the air as the cold wind made its way down the mountain and across the
lake. I’ve always been mesmerized by beautiful seascapes and landscapes—where
water, mountain and sky meet. Drawn to their spiritual vastness, I sometimes
find (if it’s a good day) revelation and beauty, hidden…deep inside the
soul.  When transfixed by such a mysterious place—we question its magnitude.
In-turn, we can at times find our very own inadequacies.  We come to know our fears and our doubts. Usually
if I attempt to elevate myself, with pride—by thinking:  I can do this…or I can do that—whatever the
thoughts may be, I then know I am no longer centered.

It is a golden morning and a beautiful start to the day. It is early April 2011 and spring is
on its way. There is anticipation and a longing for the discovery of beauty and
the Self in recollection. I am still mesmerized by beautiful seascapes and
landscapes—where water, mountain and sky meet. There is a planetary energy, a
Consciousness that lifts my Spirit. Transfixed I find it is a mysterious thing—the
photograph of a place in time. I remember the beauty of the moment and my
present fears and doubts are washed away. I will elevate myself today, with joy—by
thinking: I can do this…and I can do that—whatever the dreams may be.
It is April and it is spring and all the growth of my soul and Spirit is before me.

If you have a photograph of a place in time that transcends your life experience, embrace it and share it with others.

Namaste


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